Delivered in 1958, Japan new wave’s “performing dental practitioner” Kenzo Saeki entered college or university just with time for the introduction of punk rock and roll; upon completing his schooling, he discovered that he recommended a electric guitar and synthesizer to his dentist’s drill, developing initial the post-punk music group Shonen Homeruns, which shortly mutated in to the even more brand-new wave-orientated Halmens. With Saeki as the vocalist and main lyricist, Halmens documented two albums in 1980 and 1981 respectively, placing the group on the forefront from the rising new influx and techno-pop moments alongside contemporaries like the P-Model and Plastics. Because of the booming fascination with the scene, also to the skill with which his tracks grasped the disposition of the days, Saeki discovered his lyrics very much popular, and began composing tracks for singers such as for example Nomiya Maki (afterwards of Pizzicato 5), Togawa Jun, and pop idol Koizumi Kyoko. Evidently tiring of holding heavy musical instruments around to displays and rehearsals, Saeki finished Halmens and began the group Pearl Brothers with Kubota Haruo. This relationship became the most successful of his musical profession, leading to ten studio room albums and several compilations and live albums between 1986 and 1994, with 1986’s Blue Kingdom achieving the Best 40 of japan charts. Following the demise of Pearl Brothers, Saeki continuing to perform single or beneath the name Saeki Kenzo & the Eleki Massive, experimenting with numerous styles such as for example jungle and electro, and sometimes collaborating with close friends such as for example Kubota. The recording Mad French Japanese noticed Saeki tackle the task of famous French songwriter Serge Gainsbourg in his personal defiantly new influx design, and he was therefore in a position to introduce his function to French viewers. He adopted that up with Sushi Atama no Otoko in France, and released several compilations offering French artists by himself label. 2003 noticed a short reunion from the Pearl Brothers using the recording Uchuu Ryoko, although by this time around, Saeki was concentrating even more on his are a maker and songwriter, aswell as maintaining an even of recognition as an established author and tv character in his personal right.