Kenny Werner

Given birth to November 19, 1951 in Brooklyn, NY, Kenny Werner got an early on start like a pianist. At age 11 he documented a single having a 15-piece orchestra and made an appearance on tv playing stride piano. He went to the Manhattan College of Music while still in senior high school, after that became a concert piano main upon graduation. He experienced the draw of jazz and made a decision to keep the Manhattan College for the Berklee College of Music in Boston, arriving consuming two educators, Madame Chaloff and Juão Assis Brasil, both solid pianists who helped him integrate religious aspects with solid performances. His 1st jazz recording is at 1977, when he released an LP that highlighted piano solos from the music of Bix Beiderbecke, Duke Ellington, Adam P. Johnson, and George Gershwin. Immediately after that, Werner got a plum work when he was asked to record with Charles Mingus on SOMETHING SIMILAR TO a Parrot. In 1981 he released his first record of original function, Beyond the Forest of Mirkwood. 298 Bridge Road, which was motivated by the noises encircling his Brooklyn studio room, followed a season later. The first ’80s brought comprehensive touring, including a tour with Archie Shepp as well as the Mel Lewis Orchestra. He also performed in duos with Rufus Reid, Ray Drummond, and Jaki Byard. His achievements were honored with the Country wide Endowment for the Arts, which honored him two grants or loans in the ’80s — in 1985 and 1987 — enabling him to provide his have music within a concert hall placing at Symphony Space in NY. He also used Ratzo Harris and Tom Rainey through the entire ’80s, however the trio wouldn’t make its initial record until 1988’s Presenting the Trio. The music group recorded only 1 more album from then on, but stayed jointly until 1995. Another long-term romantic relationship was set up when Werner became a member of the faculty of the brand new College in 1987. Through the entire ’80s and ’90s Werner used a number of famed jazz performers, from John Abercrombie and Joe Henderson to Tom Harrell and Chico Freeman. One of is own strongest alliances, nevertheless, was with Joe Lovano, with whom he documented many albums. He also offered as pianist, arranger, and musical movie director for famed Broadway superstar Betty Buckley. The ’90s also brought even more recognition in the NEA, which honored him grants or loans in 1993 and 1995 to create tribute concerts to Mel Lewis and Duke Ellington. Werner created some acclaimed information in the ’90s, including three albums for the Concord Jazz label: Maybeck Recital Hall Series, Vol. 34, Concord Duo Series, Vol. 10, and Live at Visiones. The albums had been all award-winning and helped additional Werner’s commercial achievement. Two brand-new albums found its way to 1998: A Delicate Stability, which highlighted Dave Holland and Jack port DeJohnette; and Unprotected Music for the Double-Time label, that was played with a trio with Marc Johnson and Joey Baron. Both albums demonstrated Werner’s diverse design, aswell as his capability to work as component of a musical group with solid players like Baron. In 2000 he released Beauty Secrets for RCA, a soft yet innovative record that demonstrated the delicacy that Werner was with the capacity of. Werner stayed active as the brand new century continued, releasing No Starting No End, which highlighted outdated cohort Joe Lovano aswell as Judi Silvano, on Fifty percent Note Records this year 2010. In 2011 Werner shipped the live record Balloons: Live on the Blue Take note, which highlighted trumpeter Randy Brecker, saxophonist David Sanchez, bassist John Patitucci, and drummer Antonio Sanchéz. Me, Myself & I, a single piano record, was documented live at Upstairs Jazz Club & Grill within the Montreal Jazz Event. It had been released in the springtime of 2012.