Ken Hanna

Much less well-known because the toon group of Hanna-Barbera, the group of Hanna and Kenton were in charge of an enormous pile of big-band arrangements and recordings. Producing his status in no little way by showing and motivating the intensifying jazz functions of youthful composers and arrangers, bandleader Stan Kenton presented Ken Hanna in his notoriously ear-bending trumpet section through the second fifty percent of the ’40s. Kenton experienced already begun making use of Hanna charts from 1942, several pieces staying favorites from the Kenton package and kaboodle through the annals of the favorite music group. A Baltimore lad, Hanna do his formal research in the Peabody Institute, learning trombone in addition to trumpet. Before the Second Globe War he previously already started gigging and jotting out plans for local rings, a few of which he predictably led himself to be able to obtain the music performed. Beyond the eventual Kenton connection, Hanna was using the Charlie Barnet group in 1949 and freelanced within the Los Angeles picture through the early ’50s. The second option career activity constructed toward Hanna’s resurgence like a bandleader, including albums by himself. Jazz for Dancers premiered by Capitol in 1955; additional items within the Tendency label are also harder to get. With the ’70s, Hanna appears to have shifted to various other areas of the music business, including real record distribution and product sales. Being a composer he could fit easily into many areas of Kenton’s different outlook. Certainly the requirements of goofy, conceptual subject material was well fulfilled with “Somnambulism,” an agreement that certainly hasn’t put an individual listener to rest. “Beeline East” is normally a superior exemplory case of a straight-out jazz graph licking at sympathetically intertwined styles: critics gladly describe “an excellent Latin feel…every one of the great Hanna harmonies and voicings.” The “Macumba Suite,” noted in several variations on contrasting live recordings, presents Hanna’s exciting take on the type of extended structure, with global view, which was also a significant section of any Kenton plan.