Ken Baldock

Ken Baldock, occasionally credited because the chummier Kenny Baldock and in addition apt to end up being mutated into Kenny Blalock or variations thereof, had a background both in piano and bass. His research continuing on the musical instruments on the Guildhall College of Music and Crisis in London. In the first ’60s he started turning up on jazz bandstands being a bassist together with players such as for example Peter King as well as the John Dankworth orchestra, with whom he stayed associated in to the middle-’70s. His chops had been stretched towards the limit with hyperactive pianist Oscar Peterson in the Montreux Jazz Event in 1972, a hurdle that place him well around the corner of possibilities oncoming. These included collaborations with Freddy Randall’s all-star caravan, an organization with clarinetist Dave Shephard, and much more phone calls from Peterson himself, presumably produced between arpeggios. These Swiss fest was a lucky one for Baldock, recording-wise. Summertime in Montreux was successful including guitarist Barney Kessel’s ensemble vessel. 1973 was the next 12 months, signaling Baldock’s personal band projects offering some heavy English players such as for example Henry Lowther. He also worked well inside a quartet led by Ronnie Scott, resulting in back-up stints at that leader’s self-named golf club behind many going to American jazz performers. A few of his most broadly heard bass function comes from studio room recordings with British folk-rock tale Donovan. In to the early ’80s, Baldock appeared most thinking about intimacy, sticking with a little group and frequently using electrical guitarists as sidemen. His structure “Kosen Rufu” garnered him an Arts Council prize in 1983. Baldock continues to be quite active being a teacher.