This guitarist and singer was the youngest of 14 children. His dad, Emmett W. Lundy, was a fiddler from Grayson Region, VA, who documented a wonderful group of fiddle music from his repertoire for the Library of Congress in 1941. By enough time these recordings had been done, child Kelly was operating as a specialist musician and was a lot more than effective in playing acoustic guitar back-up for his father. In fact, the reason why the family members had a lot of children may have been the father’s wish to possess at least one child who could understand how to play back-up on acoustic guitar. Kelly began playing music at 14 around the so-called “seed fiddle.” This is just a regular fiddle, nonetheless it obtained this nickname when whoever desired the device had to market seeds to generate the money to get it. He visited the guitar immediately after, as the device was becoming extremely popular. There have been a electric guitar lying across the Lundy home for a couple of years, but no one had learned how exactly to play it. The initial person he appreciated arriving along who could choose was Herbert Higgins, the boy of regional fiddler Charlie Higgins. Just like Emmett W. Lundy got trained the elder Higgins fiddle music, the junior Higgins repaid your debt by displaying youthful Kelly some electric guitar licks. He found more simple accompaniment abilities from Eck Dunford, the primary guitarist his dad was using at that time. Nearly as good a musician as he was, Emmett W. Lundy under no circumstances pursued a music profession, preferring to create music in the home for his very own entertainment. Kelly’s initial knowledge playing music appropriately outside his house was using the Moose Melody Young boys, a loose aggregation of players who combine into different string rings, dance amounts, and humor routines to peform at local institutions and community centers. Lundy got added bass to his arsenal of musical instruments by enough time he became a member of the group, and various other people included Dr. A.P. Davis from the music group the Bogtrotters on banjo and fiddler Cost Goodson, amongst others. Goodson provides documented with DaCosta Woltz as well as the Southern Broadcasters. The Melody Young boys show continued running right through the ’30s, and Kelly began dealing with John Rector’s Crazy Cats, reputed to be always a warm string music group. Following a couple of years of support faraway from musical actions, Kelly helped come up with a bluegrass group known as the Blue Ridge Buddies including several players who had been novices within this design, but wanting to find out. The group, offering mandolinist Everett Joines, got its work jointly quickly and started some regular radio broadcasts in Virginia and NEW YORK. Top prizes had been also captured in the music group category at Galax by Kelly as well as the Buddies. In 1959, Kelly shifted to Florida along with his family members, where he held up with music just on the part-time basis. In the first ’60s, he maintained the Brushy River Young boys, and can end up being heard sitting along with them on the track for the Folkways’ Galax Aged Period Fiddler’s Convention. It?s likely that good he has on various other recordings by this group aswell, although credits have a tendency to end up being sketchy. He also shows up with Charlie Higgins for the anthology recording Music group Music of Grayson and Carroll Counties, Virginia, also on Folkways.