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Keith Douglas

b. 7 Dec 1957, London, Britain. Douglas followed the neighborhood noises in London, including Sir Coxsone’s as well as the Mighty Frontline. He was influenced to perform like a DJ by his sibling Tony, an associate from the Blackstones, who topped the reggae recording charts with Consider Another TAKE A LOOK AT Love. Influenced by his like of music, Douglas embarked on the recording career, primarily beneath the pseudonym Imperial Keith. He released his debut, ‘Battling WITHIN A Babylon’, in 1976, that was well received and resulted in classes with Clement Bushay pursuing an intro by Pablo Gad for the masterful ‘Instructor Under no circumstances Taught Me’. The music improved his notoriety like a origins vocalist, although this classification demonstrated inaccurate. While going after his profession, he learned very much from his contemporaries, a significant influence being Ruler Sounds who trained Douglas basic acoustic guitar skills. The discharge from the traditional ‘Blessed WILL BE THE Meek’ signalled a big change of path when he embarked on documenting sessions with Style Information. Through the label he released ‘I Specialise In Great Girls’ as well as the chart-topping ‘Great Down Amina’. The achievement of both singles resulted in him being referred to as Mr Fans Rock and roll, and in 1982 he released ‘Try Like Once again’ with very similar achievement. In 1983 he started dealing with Aswad, with support vocals supplied by Dark brown Glucose’s Pauline Catilin and Caron Wheeler for the buoyant ‘Angel’, released over the music group’s very own label. The Ladbroke Grove connection continuing when he made an appearance using the Sons Of Jah for the dancehall most liked ‘Increase’, backed using the properly entitled ‘Explosive Dub’. While dealing with Trevor Bow as well as the Sons Of Jah he documented his debut record, featuring melodies given by associates of Aswad as well as the Wailers. Indicating a desire to have independence he proceeded to go into self-production for the discharge of ‘You Move Me’. Douglas also made an appearance on the main one tempo Front Series Reggae compilation. Through the 90s, Douglas preserved a minimal profile carrying out alongside, Tex Johnson, Dennis Pinnock and Paul Dawkins as Four WITHIN A Row, liberating the solitary, ‘Love Can be’.

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