With his root base firmly in folk, Japanese rocker Kazuyoshi Saito first produced his tag in 1993, using the highly introspective album Aoi Sora No Shita. Critics hailed Saito’s authenticity, which would help him to stick out in the haze of produced pop that hangs large over Tokyo’s music picture. With newfound acclaim, Saito started exploring additional affects and adding components of pop and jazz to his combine. Launching four albums in 3 years, achievement emerged quickly; his albums strike high marks in the Oricon graphs regularly. After a brief break, Saito once again returned towards the picture in 1999, with a far more pop-heavy audio and an infusion of British lyrics. Nevertheless, the signature components of Saito’s audio continued to be intact — unmanipulated and scratchy vocals, and a solid rhythm in your guitar. By 2001, nevertheless, using the albums Rocket and 35 Rocks, Saito acquired retreated to his first loves: rock and roll and folk. Live performances frequently involved a program completely folk-mode, with classical guitar and a harmonica (frequently on the neck-brace harmonica holder ? la Dylan, believe it or not). With a fresh following (as well as the come back of some early supporters who had dropped curiosity during his pop stage), Saito continuing documenting and touring, discovering blues and blues-inflected rock and roll on the way. 2008 noticed the discharge of both a fresh album (I REALLY LIKE Me) and a compilation (15th Wedding anniversary Package), both which peaked in the very best Ten from the Oricon graphs.