Some music lovers wouldn’t normally recognize the name of Katherine K. Davis, they possess undoubtedly noticed at least among her functions, the famous Xmas carol “THE TINY Drummer Youngster.” But Davis constructed considerably more than simply that perennial preferred: her result contains seven operas, cantatas, choruses, tunes, piano and body organ pieces, and far else, creating a lot more than 600 compositions completely. Unfortunately, just her famous Xmas piece receives any interest today, but its wide recognition assures Davis a location in music background and leaves the wish that enterprising music artists may 1 day need to explore the huge output of the largely neglected pioneering girl. Davis was created on June 25, 1892, in St. Joseph, MO. She researched piano from her early years as a child and started composing at 15. After graduating from St. Joseph SENIOR HIGH SCHOOL she enrolled at Wellesley University, where she earned the Billings Award for Composition. Being a talented pianist, organist, and author of guarantee, she sufficiently impressed the faculty to remain on there being a instructor of piano and theory after her 1914 graduation. She started advanced research in her post-graduate years at the brand new Britain Conservatory of Music. Down the road Davis journeyed to Paris where she researched briefly with iconic music pedagogue Nadia Boulanger. After time for the U.S. she became a member of the Faculty on the Concord Academy (Massachusetts) even though there used the analysis of choral music with Thomas Whitney Surette. Davis also trained music on the Philadelphia-based Shady Hillsides School for women. While on the faculty there she had written many functions for the school’s chorus hoping of rectifying what she regarded as a paucity of great music for women’ choirs aswell for amateur choral ensembles. In 1941 Davis had written her mega-hit “THE TINY Drummer Boy,” which she originally entitled The Carol from the Drum. Oddly, she released the work beneath the pseudonym C.R.W. Robertson. Early ratings and recordings of the piece often transported the attribution “transcribed by C.R.W. Robertson.” The piece didn’t achieve immediate achievement, but would turn into a big strike in the postwar period when the Trapp Family members Singers documented it under its first name for RCA. Davis continued to be active being a composer and educator in her old age. At her loss of life on Apr 20, 1980, she bequeathed royalties and various other monies towards the music section at Wellesley University.