Norway’s Karl Seglem can be an eclectic, stylistically wide-ranging saxophonist, composer, and maker. Although mainly a jazz musician, Seglem includes a deep enthusiasm for Norwegian folk music, and frequently uses it like a jumping-off stage for his compositions. Created in Årdalstangen, Norway, in 1961, Seglem received formal music teaching at Voss Folk SENIOR HIGH SCHOOL. After college, he found function carrying out with such performers as vibraphonist Arvid Genius, pianist Knut Kristiansen, guitarist/poet Kenneth Sivertsen, among others. As a single designer, Seglem debuted with Poems for Trio (1988), accompanied by Sogn-A-Song (1991), Rit (1994), Spir (1998), and Tya – Frå Bor Til Bytes (1999). Because the 2000s, he offers released a reliable stream of extremely acclaimed albums — including New North (2004), Urbs (2007), and Ossicles (2010) — that discovered him mixing traditional Norwegian tools like the Hardanger fiddle and bukkehorn (ram’s horn) with modern structure, improvisation, and consumer electronics. In 2014, Seglem released the recording Som Spor, which presented a structure he was commissioned to create for the 2012 Vossa Jazz worldwide music festival.