Karl Gottlieb Reissiger

Conventional in his writing style and derivative in lots of forms, Reissiger was among the last Kapellmeister / composers. He had written over eighty piano solos and over seventy tracks and duets aswell as public, piano trios, operas and chamber parts. As a champ of German opera his compositions of “Oberon” and “Euryanthe” had been well-received in his homeland. Though he previously researched with Belzig, Schicht and Salieri, Reissiger’s compositional abilities were under no circumstances honed toward greatness. He trained composition effectively and been successful Weber as the movie director of the courtroom opera in Dresden. One of is own theory learners was Clara Schumann. Performing and education had been his strengths.