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Kansas City Four

Kansas Town plopped itself in the boundary of Kansas and Missouri. As is definitely standard for the record business, the discography from the Kansas Town Four was made in NEW YORK. Ironically, the name was concocted to lend jazz legitimacy for some of the individuals, who were normally extremely occupied in the studios creating the pop music from the Roaring Twenties: Tin Skillet Alley, ragtime, and traditional blues. The backgrounds of the music artists reveal that no one involved experienced anything regarding Kansas Town at all. Actual Kansas Town jazz players such as for example tenor saxophonist Lester Youthful would utilize similar combo titles down the road. Clarinetist and saxophonist Bob Fuller was a indigenous New Yorker, while pianist Louis Hooper hailed from Prince Edward Isle, Canada. Banjoist Elmer Snowden’s personal range from Kansas Town can be identified from the actual fact that one of is own own hometown rings was known as the Washingtonians. For others involved with these studio room bands, sometimes expanding in to the Kansas Town Five, a far more genuine band name could have suggested a reference to SC. Trombonist Jake Frazier originated from Charleston and trumpeter Bubber Miley hailed from Aiken, a city bordering Georgia. The Kansas Town Five, offering the second option two brass players, supported vocalist Rosa Henderson on the demonstration program in nov 1924. The slimmed-down Kansas Town Four returned towards the studio room with Henderson in Feb of the next year to slice the all-inclusive “Everything My Sweetie Will.” Sides cut from the quartet alone are the Clarence Williams control to “OBTAIN IT Set” and a cover edition of Papa Charlie Jackson’s “Dark Woman Blues,” dating from in regards to a month following the second Henderson program. Every one of the material continues to be reissued with the Document and Problem labels.

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