Australian producer Kane Ikin found prominence as fifty percent of ambient/drone duo Single Andata before getting into a single career. A indigenous of Melbourne, Ikin began like a self-taught guitarist before contact with digital music got him thinking about modular synthesis, field documenting, and signal digesting. He earned a qualification in sound through the Western Australian Academy of Performing Arts in Perth, where he fulfilled Paul Fiocco, a beliefs graduate. Collectively they began the Single Andata duo, carrying on the cooperation long-distance once Ikin shifted back again to Melbourne and Fiocco to Sweden. Ikin’s debut single launch, in 2011, was the 7″ solitary “Contrail” on Taylor Deupree’s cult electronica label 12k, which got also released Single Andata’s eponymous sophomore recording; it is significant for being among the hardly any singles the label offers ever released on vinyl fabric. His debut single album, Sublunar, adopted in 2012. While posting some features with all of those other 12k roster, it had been markedly even more propulsive and beat-driven compared to the remaining label’s output at that time, having a delicate air flow of menace. That same 12 months he also released a collaborative recording, Strangers, with Library Tapes’ David Wenngren on Simon Scott’s label Kesh, a lush ambient/drone trip with dark overtones. After several EPs in 2014 on Melbourne label This Thing, a digital-only “mixtape” of assorted items culled from Ikin’s hard disk drive, Sync/Textile made an appearance in 2015. His second single full-length, Contemporary Pressure, dropped the next year on vinyl fabric through experimental label Type. Delivered of an interval of monetaray hardship that noticed Ikin decreased to offering off his equipment piece by piece to create ends meet, it had been by necessity a far more stripped-down affair, its dank and corroded atmospheres providing an understanding into its creator’s grim mind-set at that time.