Kalinov Most is a flagman music group of Russian folk-rock picture. Like any exclusive and creative music group, Kalinov Many doesn’t match one musical genre. It really is one of several bands that could end up being rightfully known as the Legends of Russian rock and roll. In Russian traditional fairytales kalinov most (kalinov bridge) may be the place in which a combat between a shiny hero and a dark power occurred; it’s the image of the ultimate combat between Great and Bad. Kalinov Most’s audio is a variety of rock and roll and traditional Russian tune, along with Slavyanian mythology. The music group details their music design as “brand-new Kazak music.” Kalinov Many considered its Christian root base in its lyrics after head and songwriter Dmitriy Revyakinconverted to Christianity in 2000. The music group was produced by Dmitriy Revyakin in Novosibirsk, in 1986. Their initial official record, Vyvoroten, premiered in 1991 and amazingly, it generally does not included any old songs from the band, that have been already well-known by that point. The record was filled up with mystical forms, artfully designed lyrics, particular melodies; not merely blues and rock and roll components but also cultural and shaman affects could be noticed onto it. The lyrical factors became more powerful in the band’s following two albums, Uzaren and Darza. They began to sound similar to Russian poet Velimir Khlebnikov. While Uzaren sounded softer and even more acoustic, Darza was harder and even more electric. Their following record, Poyas Ulchi (“Belt of Ulchi”), became another high-water tag in Russian rock and roll music. In 1998, Oruzhie (“The Tool”) premiered. It was an adult documenting with lyrics by Revyakin and a robust guitar-driven audio from Smolentsev. The tune “Rodnaya” became a profession highlight and continues to be performed on many Russian r / c. In 2001, Kalinov Many released Ruda. The music group turned back again from mainstream rock and roll to their roots with this documenting, but preserved a radio-friendly audio. The 2006 dual record, SWA, was documented more than a five-year period. The music group defined it as the compilation of lyrical music about romantic interactions during eschalogical moments. The follow-ups to SWA, Ledyanoy Pokhod (“Glaciers Trip”) and Serdtse (“A Center”) had been released in 2007 and 2009, respectively.