Countertenor Kai Wessel is basically connected with Baroque repertory, but he also sings a good amount of modern music, including his personal compositions aswell as functions written for him. Like a composer he offers produced very much vocal music and a substantial quantity of instrumental compositions, including single functions for piano, harpsichord, and violin, aswell as chamber music and additional mainly small-scale compositions. Like a vocalist Wessel continues to be associated with two early music organizations, the Outfit Contrapunctus and Outfit Vocal Européen de la Chapelle Troyale, the second option carried out by Philippe Herreweghe. But Wessel offers mainly freelanced, performing at main opera homes and concert halls throughout European countries, Japan, as well as the U.S. While his repertory is certainly rich in functions by J.S. Bach, Telemann, Handel, and various other Baroque composers, he in addition has sung functions by Reger, operas by modern composers Salvatore Sciarrino and Klaus Huber, and various other contemporary fare. Wessel is certainly in the faculty at Cologne’s University of Music being a instructor of both tone of voice and Baroque functionality practices. He provides made many recordings, many obtainable from CPO, Harmonia Mundi, and Problem. Kai Wessel was created in Hamburg, Germany, in 1964. He was occupied like a composer in his teenagers, turning out such functions as the 1978 Barlach-Zyklus, a assortment of six brief items for piano. Wessel analyzed in the Lübeck Academy of Music, where his most significant teachers had been Ute von Garczynski (tone of voice) and Friedhelm Döhl (structure). In the Berlin-based German Vocal Competition Wessel received awards in both 1984 and 1988, and in 1990 he was a prizewinner in the Musica Antiqua Competition in Bruges, Belgium. His 1986 Trio, for piano, clarinet, and cello, and his 1990 Two Tunes after Matthias Claudius, for high tone of voice, clarinet, horn, violin, cello, and piano, originated from this era, the second option on percentage. His 1st recordings emerged out of this period, aswell, and included Domenico Scarlatti’s Stabat Mater on Christophorus (1988) and Lassus’ Lamentationes Jeremiae Prophetae on Harmonia Mundi France (1989). For this period too, Wessel worked well as an associate to René Jacobs on opera productions in Innsbruck and Hamburg. Through the entire 1990s Wessel made an appearance in many main concerts, like the 1995 Berlin Philharmonic overall performance of Handel’s Saul, where he sang David. Wessel was occupied in opera: among additional functions, he portrayed the adulterous visitor in the 1998 premiere of Salvatore Sciarrino’s Lucie mei traditrici on the Schwetzingen Celebration in Germany. That functionality was issued with an acclaimed Kairos Compact disc in 2001, which put into Wessel’s already extended discography. Although his compositional result had slowed up from 1991, Wessel continued to be busy in the brand new hundred years, specifically in opera: along with very much various other activity, he sang the name function in Giustino in 2003 and 2004 on the Baden Condition Theater’s Handel Celebration in Karlsruhe. Wessel in addition has been active in the concert hall and documenting studio room. Among his even more acclaimed recordings may be the 2011 Warner Classics documenting of J.S. Bach’s St. Matthew Interest, with Lot Koopman performing the Amsterdam Baroque Orchestra.