Like his friend Sonny Landreth, harmonica player/accordionist Jumpin’ Johnny Sansone takes his songwriting cues from the items he sees in his New Orleans home. Lots of the tracks on Crescent Town Moon, his debut for Rounder’s Bullseye Blues label, are motivated by the places, noises, and smells from the Crescent Town. Sansone still left his native Western world Orange, NJ, at 17 in 1975 to wait university in Colorado on the swimming scholarship or grant. He started playing harmonica at age group 13, also associated himself on electric guitar. “I used to be trying to end up being Jimmy Reed inside our cellar,” he recalled within a 1997 interview. Sansone’s dad was a specialist saxophonist who used various jazz groupings in the Newark, NJ, membership scene. Sansone resided in Colorado, Austin, Boston, and Chapel Hill, NC, before shifting to New Orleans in 1990. The complete period, he led local touring bands, especially Jumpin’ Johnny & the Blues Party. Sansone is not any spring chicken with regards to obtaining out on the highway and helping his separately released information. In 1987, Sansone and his previous band, referred to as Jumpin’ Johnny & the Blues Party, documented an record Where Y’at? for the Kingsnake label of Sanford, FL. Jumpin’ Johnny & the Blues Party also documented and released Mister POSITIVE THING for the Atlanta-based Ichiban label in 1991. Sansone started playing accordion after participating in Clifton Chenier’s funeral, and Sansone stated that some individuals believe he’s a zydeco musician if they discover him holding it right into a membership. Crescent Town Moon (1997, Bullseye Blues) received rave testimonials from around the united states. The record fuses Chicago blues, swamp boogie, and lyrical pictures of New Orleans as well as the bayou nation of southwest Louisiana. All the tunes on his debut recording are his personal, except his cover of Ted Hawkins’ “Nice Baby.” Sansone offers won numerous honours within the Crescent Town, including Offbeat magazine’s annual “Greatest of the Defeat” competition, where he received four honours after he released Crescent Town Moon by himself label in 1996. Sansone received Song of the entire year, Best Harmonica Participant, Best Blues Music group, and Greatest Blues Recording of the entire year. Over time, to get cash together for numerous recording tasks, Sansone spent some time working construction careers. But along with his cope with Rounder’s Bullseye Blues subsidiary — which furthermore to Crescent Town Moon yielded 1999’s Watermelon Patch — he can consider his artistry to another level, touring nationally and internationally.