b. 2 March 1970, Paris, France. Lourau started playing the saxophone at age 11. He was shortly exploiting his quickly discovered skills playing rock and roll ‘n’ move before shifting towards jazz. When he was 15 he was playing jazz rock and roll fusion. Specifically, he was influenced by the task of past and present experts such as for example Sidney Bechet, Steve Lacy, Stanley Turrentine and Julius Hemphill. In interviews in old age he’d also cite Joe Lovano and Wayne Shorter as essential influences. Among music artists with whom he proved helpful during his formative years are Marc Buronfosse (bass), Noël Akchoté (electric guitar), and François Merville (drums). In 1990, Lourau, who has tenor and soprano saxophones, started a link with Bosnian pianist Bojan Z. playing within an electrical group, Trash Company. The machine was motivated by Ornette Coleman’s theory of harmolodics, and evolved into Groove Gang in 1992. Others mixed up in music group included Daniel Casimir (trombone) and Nicolas Genest (trumpet). Groove Gang enticed the eye of Henri Texier and Marc Ducret and produced albums for Label Bleu Information and Warner Brothers Information. Important in increasing his profile was a two-year spell with Abbey Lincoln where he appeared in the vocalist’s A Turtle’s Fantasy. Although Groove Gang have been extremely effective during its seven-year operate, in 1998 Lourau folded the music group to be able to move to other activities, notably an electro music group, Gambit. In 1999, Lourau started a succession of travels that got him through Central and SOUTH USA, Africa and European countries. In 2001, Lourau came back to Label Bleu and teamed up with Zulfikarpasic and Texier for a fresh record that also proclaimed a go back to the traditional areas of modern jazz. Other music artists dealing with Lourau at the moment had been Mezzadri, Gustavo Ovalles and Garay (percussion), Carlos Bushini (bass), Gerardo Dí Gíusto (piano), Elvita Delgado (vocals), and Maxime Zampieri (drums). He in addition has caused Malik Mezzadri (flute), Minino Garay (percussion), Stéphanus Vivens and Jeff Sharel (keyboards), and Sylvain Daniel (bass). Lourau attracts his musical motivation from a variety, like the blues, Latin music, as well as the ethnic types of both traditional western and eastern European countries. In interviews, Lourau continues to be relatively dismissive of American contemporaries such as for example Joshua Redman and Wayne Carter and continues to be categorical in his insistence that he does not have any desire to play in america, where his information aren’t distributed, preferring to get his audiences somewhere else, specifically Eastern European countries, Japan and SOUTH USA.