The obstacles between classical music, jazz, and indigenous Brazilian music have already been obscured with the playing of Rio de Janeiro-born and Seattle-based pianist, keyboardist, and flutist Jovino Santos Neto. An associate of Hermeto Pascoal’s music group from 1977 to 1992, Neto continuing to broaden on his globe music-influenced vocabulary. He constructed on his understanding of Brazilian music during stints with Sergio Mendes in 1992 and Airto Moreira and Flora Purim’s group, 4th Globe, from 1993 until 1997. He also caused such performers as Mike Marshall, Jill Russell, as well as the Jesse Stern Group, and documented many albums with Gary Stroutsos, like the Local American-influenced Folks of the Willows. In 1994, he toured European countries with Swiss cellist David Pezzoti. Neto’s 1997 debut single album, Caboclo, offering the accompaniment of his quartet people bassist Chuck Deardorf, saxophonist Hans Teuber, and drummer Tag Ivester (and visitor percussionist Moreira), was accompanied by Ao Vivo em Olympia in 2000. “I really believe in the energy of music and in its part as an instrument for change,” Neto stated during a past due-’90s interview. “With every take note I create or perform I picture how that take note will touch somebody somewhere which energy will bypass the entire world and go back to me as an motivation to try out a lot more. I discover myself as a web link inside a string that started in the past, which is my objective like a musician to maintain that string growing and growing forever.” Learning traditional piano from age 12, Neto shifted to Beatles and Moving Stones-influenced pop by his 15th birthday. While contact with bands such as for example Yes and Emerson, Lake & Palmer was shown in the elevated intricacy of his music, he begun to concentrate on jazz while learning biology at McGill School in Montreal. Invited to tour Brazil with Pascoal in 1977, Neto continued to be an important area of the Brazilian multi-instrumentalist’s music group for 15 years, co-producing six albums, including Festa dos Deuses, which received a Clear Prize as Greatest Instrumental Record in 1992, and credit scoring a huge selection of Pascoal’s compositions. Relocating to america in 1993 after executing on Sergio Mendes’ Grammy award-winning globe music record, Brasileiro, Neto examined on the Cornish University from the Arts in Seattle. He proceeds to instruct classes at the institution in piano, structure, and jazz ensemble. Neto continues to be associated with a different range of tasks aswell. In 2000, he composed “Operating-system Vagalumes” for the chamber group Music artists Accord, released albums with vocalist Joyce Yarrow and violinist Richard Boukas, and created and performed keyboards on Jill Russell’s record Check the Coffee beans. Furthermore to performing the Shorecrest Symphony Orchestra, he provides constructed MIDI music for many multimedia projects.