Josie Cotton’s 1982 fresh wave strike “Johnny, ARE YOU CURRENTLY Queer?” is obviously in dubious flavor (although its killer chorus is among the more unforgettable of its period), but there’s even more to the underrated vocalist/songwriter than her one shock-value novelty strike. Not merely are Cotton’s two early-’80s albums underrated pop gems, she since resumed her profession inside a surprising style; rather than leap the profitable ’80s nostalgia bandwagon like therefore a lot of her LA contemporaries like Berlin and Dale Bozzio of Lacking Persons, Natural cotton has considered a pleasant, haunting edition of art rock and roll nearer to that of Jane Siberry or Kate Bush. Some newspaper articles in the first ’80s stated that Josie Natural cotton was the granddaughter from the professional Joseph Cotten, a bit of misinformation that overlooks the most obvious difference in spelling. The truth is, Josie Natural cotton was created Kathleen Josey in Dallas, TX, little girl of the prominent local family members whose fortune have been produced in…well, natural cotton. After performing with some regional rings in Dallas’ artsy Deep Ellum community, Natural cotton moved to LA in the past due ’70s to help expand her profession. In LA, Natural cotton met and started dating an area musician called Bobby Paine, who along with his sibling, Larson Paine, wrote a tongue-in-cheek gal group pastiche known as “Johnny, HAVE YOU BEEN Queer?” which was a staple from the Go-Go’s early live action. Once the group dropped to record the melody on the information of the record company, Natural cotton offered to perform the melody herself. A 12″ one from the song using the B-52’s-like “Let’s Dance the Blackout” over the flip premiered by Bomp Information in 1981. Even though song was a topic of controversy both on the proper (who stated it marketed the gay life style; one tv preacher even stated that playing the 12″ one at 33 rpm rather than the normal 45 would reveal that it had been actually a guy singing) as well as the Still left (who claimed it had been homophobic), the one sold sufficiently that Elektra Information signed Natural cotton and reissued the one. Cotton’s first record, Convertible Music, was rushed to conclusion and released in the summertime of 1982. A glorious stream of Farfisa organs, browse guitars, and Cotton’s appealingly whiny tone of voice, the album have scored another minor strike using the near-perfect “He May be the One.” Natural cotton appeared within the 1983 cult traditional Valley Girl, performing both her prior singles as well as the Gary U.S. Bonds oldie “College IS WITHIN” through the climactic prom series. Her second record, 1984’s In the Hip, was also made by the Paine brothers, who had taken a more energetic role within the songwriting, reducing Cotton’s own exceptional efforts and unwisely upgrading the audio with synthesizers and digital drums. Although outstanding “Jimmy Loves Maryann” was a hit, Elektra lowered Natural cotton shortly thereafter. Generally, that might be that, apart from the almost unavoidable nostalgia tours. Nevertheless, Natural cotton, briefly reverting to the correct spelling of her genuine surname, Josey, unexpectedly reappeared in 1997 using the secret Frightened by Nightingales. Co-produced by her hubby, renowned L.A. punk manufacturer Geza X, the record is worlds from the snappy ’60s pop of her ’80s albums. A follow-up, The Impact of Dread on Salesmen (which discovered Natural cotton changing back again to the initial spelling of her stage name), premiered in early 2002.