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Joseph Samuels

Practically nothing is well known approximately Joseph Samuels apart from the recordings he made out of the Synco Jazz Music group from 1919-1926, the Tampa Blue Jazz Music group from 1921-1923, as well as the band he led below his own name from 1919-1925. Information by Joseph Samuels’ Jazz Music group were issued over the Apex, Banner, Domino, Okeh, Paramount, Ideal, Puritan, and Sunlight labels, sometimes showing up under the brands from the American Jazz Music group, the Banner Dance Orchestra, the Bell Syncopators, Earl Randolph’s Orchestra, the Frisco Syncopators, Joseph Franklin’s Orchestra, as well as the Tampa Blue Jazz Music group, among numerous others. The Joseph Samuels name was also utilized as an alias on some brands for the initial Memphis Five as well as the California Ramblers. Samuels proved helpful and documented in NY aside from four edges waxed in Montreal on Feb 11 and 12, 1923. The workers from the rings led by Joseph Samuels was very similar to that from the Synco Jazz Music group as well as the Tampa Blue Jazz Music group, but with extra players: Jules Levy, Jr. performed cornet, Hymie Farberman the cornet and trumpet. Ephraim Hannaford was the trombonist, while Samuels himself performed clarinet, baritone sax, and violin. The pianist was Larry Briers and Herman Berkin was the drummer. Man Shrigley is shown as alto and tenor saxophonist in July of 1922, and Nathan Glantz sat in regularly playing alto sax in 1923 and 1924. Furthermore, this music group had unidentified people playing banjo, tuba, as well as an oboe at one stage. Ernest Hare, half a vaudeville act referred to as the Pleasure Boys, recorded using the Samuels music group on June 20, 1923, using the alias Bob Thomas and performing “My Sweetie Went Away.” Just like the additional rings connected with Joseph Samuels, this corporation was not scared to handle sizzling jazz or “low-down blues” materials. In 1920 they arrived with “Slim Trombone,” “Relationship Blues,” and “Zowie!” The recordings created by this music group in 1921 indicate a desire for Samuels to maintain with the most recent developments in sizzling music. They are the “Crazy Blues,” “House Once again Blues,” “Harmful Blues,” “Strange Blues,” “The Wabash Blues,” “Oh Boy!,” and a music presented on participant piano rolls at the moment by Wayne P. Johnson, “I’ve Got My Habits On.” Their two most popular information of 1922 had been the “Houston Blues” and “Runnin’ Crazy.” Shows from 1923 are “Nuthin’ But,” “Farewell Blues,” “Bugle Contact Rag,” “The Sobbin’ Blues,” “You need to Discover Mama EVERY EVENING,” as well as the alarming name “EASILY Can’t Obtain the Sweetie I’D LIKE (I Pity the Sweetie I Obtain).” The final noteworthy name in this area of the Joseph Samuels tale is a documenting of “Choo Choo (Gotta Rush House),” a sizzling hot novelty tune also employed in 1924 by Duke Ellington & the Washingtonians. This small number, then, is available by the end of Samuels’ discography with the very starting of Ellington’s.

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