This artist played both slide and valve trombone in some historic early jazz orchestras active in New Orleans first from the 20th century. Joseph Petit got a strong impact for the cornet participant known as Pal Petit — which had not been only a matter of stylistic attributes. When the trombonist became the stepfather of younger cornetist, the last mentioned musician was still referred to as Joseph Crawford. Then decided to change to his stepfather’s surname, combined with friendly if over-used nickname of Pal. Joseph Petit was generally known as a trusted sideman in clothes like the Olympia Orchestra, energetic from 1900 through 1914, as well as the Terminal Brass Music group, beginning around once but lasting no more than half for as long. He do lead his very own band at least one time, however, short-lived probably since it was method before its time. Very little is well known about the group known as the Protection Orchestra besides that Petit was the organizer and head; security will need to have been quite tight certainly. This group do gigs between 1900 and 1910 but may have done a lot better a hundred years later, when principles such as for example “security mothers” became buzzwords in the mass media. The trombonist proved helpful alongside a multitude of New Orleans jazz players during his profession, famous brands including Sidney Bechet and Ruler Oliver, and a web host of obscure but interesting personas: a bass horn participant known basically as Sheik-O, the stiff trumpeter Wooden Joe Jicholas, the lucky sousaphone participant Pal Good fortune, wide-eyed Arthur Ogle on snare drum, and delicate bass drummer Booker T. Cup.