Jon Corneal may possibly not be the very best drummer in rock and roll music, or the very best drummer in nation music, but he will carry the variation to be — right down to a virtual certainty — the very first drummer in country-rock, not only is it a songwriter and occasional singer. He was area of the very first influx from the postwar baby increase, delivered in Auburndale, FL, in the summertime of 1946, and was simply old enough to obtain swept in to the second influx of rock and roll & move fandom, striking his teens simply because the 1950s had been drawing to some close. In 1960, at age group 14, he was section of a rock and roll & roll music group that Carl Chambers and his cousin Gerald Chambers come up with for the school show; away of this one-off linkup emerged the Dynamics, arranged by Carl Chambers. Regardless of the band’s associates all being within their mid-teens, these were good enough to try out across central Florida, and also managed to get onto local tv in Tampa. From the Dynamics emerged a successor group, the Legends, comprised of Corneal, both Chambers cousins, Jim Stafford, and Gram Parsons, who was simply then a browse music and rock and roll & move enthusiast. Corneal and Stafford afterwards going to Nashville, where they were able to mingle using a brace of nation music legends backstage on the Opry and also bluffed their method into a documenting program for Chet Atkins. After some irritating attempts at beginning a profession, Stafford ultimately parted organization with Corneal, as well as the latter’s determination paid in 1964 when he was employed to try out drums within the music group support Hal Willis. That designated his entry in to the fraternity of operating Nashville music artists, and he was consequently employed inside the orbit from the Acuff-Rose administration team, playing within the support bands behind numerous performers on tour internationally and in addition in the film Music Town USA, a display for a variety of Nashville celebrities. Coming from focus on the film, he was employed from the Wilburn Brothers. By the finish of 1966, he’d also performed behind Loretta Lynn, and early the next 12 months toured with Kitty Wells and Connie Smith. Amid all this activity, he’d started writing tunes and surely got to record a small number of them. In middle-1967, Corneal chanced to mix paths once again with Gram Parsons, who was simply along the way of piecing together a music group and an record in LA. That task became the International Submarine Music group, as much nation since it was rock and roll & move. Released beneath the auspices of Lee Hazlewood Productions, the record was destined for preliminary obscurity, even while it became a popular among rock and roll music artists in L.A. who nursed a like for nation music. Alas, the group didn’t last lengthy past the past due-1967 conclusion of the LP, as Parsons was grabbed up by Chris Hillman and shoehorned in to the lineup from the Byrds, which he and Hillman quickly took down the united states music route. Corneal soldiered on in LA for the year, and also rejoined Parsons — who acquired exited the Byrds after just a couple a few months — as an associate of his brand-new group, the Traveling Burrito Brothers, and performed on the debut recording, The Gilded Palace of Sin. All of those other music group, however, experienced that Corneal’s sound was as well country-styled for what these were trying to accomplish, and desired a heavier, even more rock-focused sound within the drums. He was changed by ex-Byrd Michael Clarke, so when there have been no gigs forthcoming, he came back to the apparently even more hospitable environment of Nashville by the end of 1969, and then find that if he was as well “nation” for the L.A. music picture in 1968, he was right now an excessive amount of a rock and roll musician for his previous professional home. At that time, amid the burgeoning strife on the Vietnam Battle and the advancement of an anti-establishment “counterculture,” the united states music mecca (which acquired never been completely relaxed with rock and roll & roll, significantly less its even more advanced incarnation as “rock and roll”) had solidified its level of resistance to longhairs, hippies, as well as other denizens of youngsters lifestyle, and he was apparently fired in one gig exclusively based on his hair duration. Corneal returned to California and performed on Warren Zevon’s Wished Deceased or Alive record, but his genuine success — roughly it appeared — is at conference up with one well-established kindred heart within the guise of ex-Byrd Gene Clark. Clark, an impressive vocalist, prodigiously gifted songwriter, and great guitarist — but a relatively unsteady bandleader and bandmember sometimes, owing to several personal demons — was after that dealing with banjo virtuoso Doug Dillard in Dillard & Clark, who currently had one record under their belts and appeared to be possess a major upcoming before them. Clark brought him in to the lineup longer enough to seem on the second LP, With the Morning, During the night, prior to the group split over personal and musical variations between your two market leaders. His next main gig was using the Glaser Brothers, who also documented among Corneal’s compositions, “Phoney Globe,” throughout their two years collectively. Carrying out a string of trips and a set of LPs together, Corneal had plenty of self-confidence to try venturing out by himself. He come up with a music group and documented Jon Corneal & the Orange Blossom Particular, financing everything himself, in 1974. Since his relationship in 1981, he provides pursued a single career and it has performed locally in Florida beneath the group name Limousine Cowboys as well as the Jon & Debbie Corneal Present — the few had been good enough to try out the Lone Superstar Cafe in NY in the first ’80s, and for a long time also had a normal gig on tv in Tampa. He in addition has participated in tries to regenerate the International Submarine Music group.