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John Santos

Because the 1970s, percussionist/bandleader/arranger/maker John Santos continues to be among the SAN FRANCISCO BAY AREA Bay Area’s strongest proponents of salsa/Afro-Cuban music and Latin jazz (mainly Afro-Cuban jazz). The Bay Region, like the majority of of California, includes a huge Hispanic population; thousands of people of Mexican descent reside in North California, where local Mexican music (mariachi, ranchera, norteño, banda, tejano, duranguense, tierra caliente, grupero, sierreño) continues to be extremely popular for quite some time. However the Bay Region has also experienced a community of music artists who focus on the Afro-Cuban/exotic world of Latin music as opposed to the local Mexican world of Latin music — and Santos (never to become confused with alternate rock vocalist Johnny Santos of Spineshank and Fundamental Enigma popularity) is definitely an integral part of that community (which, over time, offers provided us heavyweights like Latin jazz vibist Cal Tjader and percussionist Pete Escovedo, dad of Sheila Escovedo, aka Sheila E.). The word “exotic” can be used to spell it out the types of Spanish-language Latin music (instead of Latin music from Brazil, where Portuguese can be spoken) which have a significant African impact, including Afro-Cuban salsa, Dominican meringue and bachata, Puerto Rican plena and bomba, and Colombian cumbia; Santos’ strategy continues to be heavily tropical, as well as the percussionist is definitely interested in the partnership between drumming in Sub-Saharan Africa and African-influenced drumming in elements of Latin America. Santos has a number of Afro-Cuban percussion, and his affects have included, amongst others, Tito Puente, Ray Barretto, Mongo Santamaria, Chano Pozo (who’s best appreciated for his renowned collaborations with trumpeter Dizzy Gillespie in the 1940s), and Candido Camero. Although the majority of Santos’ Afro-Latin function continues to be from the Afro-Cuban range, Santos in addition has experimented with some common Puerto Rican rhythms (including plena and bomba, both which discovered their method to the brand new York Town/Fania Records edition of salsa despite the fact that nearly all rhythms noticed in salsa started in Cuba). Given birth to in SAN FRANCISCO BAY AREA on November 1, 1955, Santos is at his late teenagers when he began to make his existence felt around the Bay Area’s Afro-Cuban/salsa/Latin jazz picture. At 20, Santos became the movie director of la Orquesta Tipica Cienfuegos, sticking to that music group from 1976-1980. From 1981-1985, Santos aimed Orquesta Batachanga — and after departing that music group in 1985, he founded the Latin jazz-oriented Machete Outfit, that was still mixed up in past due 2000s. Santos offers led various other groups aswell in the 21st hundred years (like the John Santos Quintet), and he offers documented some CDs with Un Coro Folklórico Kindembo (that includes a extremely spiritual perspective and is an expert in folkloric Afro-Cuban music, everything greatly percussive). Santos offers released a lot of his albums by himself impartial label, Machete Information, which should not really become confused using the Common Music Group-affiliated Machete Music (a label which has recorded a whole lot of well-known reggaetón performers, including Daddy Yankee, Ivy Queen, La Elementía, and Don Omar). Santos switched 53 on November 1, 2008.

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