Just like the better-remembered Adam Faith, John Leyton had a whole lot of success in Britain in the first ’60s with lugubrious teen idol pop that was only tenuously linked to rock and roll & roll. Very little of the singer, his strikes are perhaps most obviously for Joe Meek’s inventive creation, which used ghostly female back-up vocals, variable-speed pianos, and swirling blowing wind effects. The majority of Leyton’s first (& most effective) materials was compiled by Geoff Goddard, a songwriter who frequently penned compositions for Meek’s works; large on loner melodrama, it frequently used pseudo-wild western galloping rhythms and lyrical designs. “Johnny Keep in mind Me” and “Outrageous Wind” were large strikes for Leyton in 1961, and “Boy THAT IS She” and “Unhappy Town” also produced the very best 20 shortly afterward. However in 1963, Meek and Goddard’s association with Leyton finished; that circumstance, combined with British beat increase, ensemble Leyton adrift instantly, although he discovered a whole lot of acting function in tv and film to maintain him busy.