John Jenkins was among the leading British composers from the Stuart and Commonwealth eras, particularly known for his consort music. He was the child of the carpenter called Henry Jenkins, who wedded Anne Jordaine in 1591. Henry was keen on music, as is usually shown from the inventory of his property, which included many musical devices. Besides developing right into a good musician, John Jenkins evidently experienced a talent so you can get along with upper-class people. This might have been the consequence of an apprenticeship while a young man. Anne Russell, Woman Warwick, remaining an annuity of ten pounds to a “John Jenkins” in her will after her loss of life in 1603, and her niece published in her journal that she discovered to “sing and play around the bass viol of Jack port Jenkins, my aunt’s young man.” A lot of the information regarding his life originates from writings by his pupil Lord Roger North. Relating to North’s Memoires of Musick Jenkins by no means received a posture mounted on any particular home, but would just go in one to some other of many estates. He’d be gladly received; North says many manors experienced a “Jenkins Area” where he’d stay. North provides that he never really had a agreement with some of them, but while he was there they might pay out him and he’d accept whatever they thought we would provide him. North’s details must partly attended from Jenkins past due in the musician’s lifestyle, for this was following the Stuart Repair that Jenkins trained him. About all that’s known of Jenkins between his delivery as well as the overthrow from the Stuarts from the Commonwealth are from your documents concerning the bequests from his dad and Woman Russell and information of two prominent musical occasions in London: he participated in the popular and luxurious masque known as The Triumph of Serenity provided in 1634 and was asked to execute around the lyra viol before Ruler Charles I, where he was proclaimed “one which performed somewhat remarkable,” in North’s terms. Jenkins appears to have become from the Royalist (or Cavalier) party and following the Puritans (Roundheads) prevailed and Oliver Cromwell setup the Commonwealth, Jenkins evidently remaining London and “recent his period at gentlemen’s homes in the united states” (North, once again). Two of his most typical patrons had been the L’Estrange category of Hunstanton as well as the Dereham category of Norfolk. Roger L’Estrange, who became referred to as a Royalist pamphleteer, examined viola da gamba with Jenkins. During the Recovery from the Stuarts, Jenkins was coping with the category of Dudley, 4th Baron North in Cambridgeshire and trained Dudley’s 5th and 6th sons, Montagu and Roger. The recently restored Ruler Charles II appointed Jenkins being a courtroom musician in the King’s Musick. In his old age he was struggling to perform his responsibilities being a courtroom musician, but he was therefore valued with the courtroom and his fellow music artists that the Ruler had his income paid in any case. North composed that Jenkins composed “horseloads of music,” which a couple of hundred instrumental functions and 30 vocal functions survive. They may actually have already been the mainstay of house music producing in Britain during his period and for a few years after. They display outstanding control of type and impact, and an excellent melodic sensibility. John Jenkins passed away at Sir Philip Wodehouse’s property at Kimberley and it is buried there.