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John Bieling

John H. Bieling was a tenor and person in some of the most often recorded vocal groupings in the initial days of industrial recording. Delivered and elevated in New York’s Fourteenth Ward, as a man Bieling proved helpful within a stained-glass manufacturer through the week and spent his weekends performing within a barbershop quartet in the Bowery. Comprising Bieling, George J. Gaskin, Joe Riley and Walter Snow, the group known as itself the Manhansett (or “Manhasset”) Quartet. In 1892 the Manhansett Quartet produced its initial recordings for america Phonograph Business in Newark, and until its break up in 1901 the Manhansett Quartet documented for virtually every record business in the Eastern Seaboard, including Columbia, Edison, Berliner yet others. Bieling was nicknamed “The Canary”, as his special and pure-toned tenor tone of voice never led to “blasting”, a kind of over-modulation germane to acoustical information. George Gaskin agreed upon an exclusive agreement with Columbia from 1901, which split up the Manhansett Quartet. With performers S. H. Dudley, Harry McDonough and William F. Hooley, Bieling shaped a fresh group, the Haydn (or “Hayden”) Quartet and started documenting hymns, ballads, Xmas tracks and minstrel materials for Victor (the group also documented as The Edison Quartet for Edison.) In 1909 the Victor Business decided they wished to make some quartet information featuring their celebrity tenor Billy Murray in popular materials, and recruited Bieling and Hooley from your Haydn Quartet to create (along with Steve Porter) the American Quartet. In 1912, when countertenor Will Oakland started making some information using the group, they truly became the re-christened Heidelberg Quintet. Bieling experienced hurt his vocal chords throughout a 1910 program for Edison needing him to create cowboy “whoops.” Performing triple-duty using the American, Haydn and Heidelberg organizations was taxing his tone of voice at night breaking point, and lastly something experienced to provide. In the summertime of 1913 John Bieling made the decision henceforward to avoid all singing, producing his last information using the American Quartet on Sept 3, 1913. Bieling after that went to function in the product sales division of Victor. By 1915 he previously left the business, and eventually became a seller, running his personal Victrola shops. In 1926 he chosen retirement and resolved in Hempstead, Long Isle. An Apr, 1914 edition from the trade publication Speaking Machine World explained Bieling as “among the best-known performers in the Victor Collection.” But because of his charter regular membership in the pseudo-anonymous Manhansett, Haydn, Edison and American Quartets as well as the Heidelberg Quintet, Bieling most likely seldom loved the privilege of viewing his personal name on an archive label. Maybe he didn’t wish to – in the end some duets he manufactured in the Homosexual ‘nineties with George Gaskin had been billed as by “Gaskin and Livingston.” non-etheless, the pure matter of experiencing performed as an associate of the vocal groupings during this time period period implies that John Bieling is among the most documented tenors ever sold. The total variety of information he produced may never end up being known, nonetheless it certainly will be more than a thousand game titles and perhaps hundreds more.

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