Biography
It really is surprising indeed that this songwriter at the rear of fluffy Americana such as for example “You Came quite a distance from St. Louis,” created with lyricist Bob Russell, would find yourself penning a tune entitled “Sirhan’s Blues,” not forgetting a whole musical collection entitled “Alabama Concerto.” The profession of John Benson Brooks is usually intriguing, his experienced craftsmansip obvious as his music’s visual content material undergoes an uplifting journey. He began using the Randy Brooks Orchestra, adding arrangements and in addition offering them for the sets of Les Dark brown and Tommy Dorsey. Lyricist Eddie DeLange was a significant collaborator when it arrived time to sit back in the piano and constitute a track. “Just as if YOU HAD BEEN Right here” was a smash for Tommy Dorsey’s music group with vocals in one Frank Sinatra as well as the Pied Pipers. “You Arrived quite a distance from St. Louis” was originally documented by Ray McKinley and his orchestra in 1948, but significantly less than a decade afterwards its composer was prepared to place his feet forwards being a band head, finding as may be expected some piano pedals underneath them. He got moving in grand design, introducing a septet that included the killer saxophone pairing of Al Cohn and Zoot Sims, an organization that like many within this genre was renowned but never produced any money. It had been in the framework of contemporary jazz that Brooks begun to be taken even more seriously being a composer, though. When he set up an orchestra to record the expanded “Alabama Concerto,” it meant among other activities that he’d never be thought to be “simply” a songwriter once again. In addition, it meant, because a number of the sidemen had been very well-known, that the task would later end up being co-opted by record businesses wanting to promote the recordings under a name that may glow in lighting relatively brighter than John Benson Brooks. There have been plenty of options among the superstar players such as for example Julian “Cannonball” Adderley, Artwork Farmer, Barry Galbraith, and Milt Hinton, but Adderley ultimately was the no-brainer when he arrived on the strike parade. Thus there are lots of jazz listeners who think about the Brooks are among Adderley’s concoctions, not merely since it was reissued in his name but because it in fact motivated the alto saxophonist and bandleader to generate other ambitious, extended jazz suites with politics and social designs. An early-’70s -panel of United kingdom critics decided to go with “Alabama Concerto” as you of 200 important jazz albums from a 25-season period. Brooks’ amazing jazz credits consist of an ongoing cooperation with the similarly thoughtful arranger Gil Evans, who included “Sirhan’s Blues” within the repertoire of his ’70s music group. The Evans orchestra experienced a 1960 launch of “Where Flamingos Take flight,” among the tunes Brooks co-wrote with Harold Courlander and Elthea Peale. Helen Merrill do the first documenting of this track in 1956, as well as the vamp area of the melody later arrived as a portion of the Beatles’ “Eleanor Rigby,” though it hasn’t been founded that John Lennon and Paul McCartney consciously raised it, since a far more likely culprit could have been their arranger, George Martin. Of a lot more curiosity is Brooks’ romantic relationship with Courlander, an anthropologist who experienced recorded an abundance of hollers, spirituals, children’s video game tunes, and blues on the field visit to Alabama. Brooks required face to face of fabricating musical transcriptions of the material for any publication, Negro Folk Tunes of Alabama, in 1960, an activity that modified his musical goals and straight led to items such as for example “Alabama Concerto.” Brooks experienced earlier been forced in an reverse direction from origins music by the initial Delivery of the Awesome discussions in NY, playing piano in a fresh Miles Davis music group that also included his friend Evans and Gerry Mulligan, among many jazz hotshots. The second option artist described Brooks as “our dreamer of difficult dreams.”
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Soundtrack
Soundtrack
Title | Year | Status | Character |
---|---|---|---|
Live and Swingin': The Ultimate Rat Pack Collection | 2003 | Video documentary writer: "You Came a Long Way from St. Louis" | |
American Experience | 1991 | TV Series documentary 1 episode | |
Here's Lucy | 1969 | TV Series 1 episode | |
Abbott and Costello Meet the Mummy | 1955 | writer: "You Came A Long Way From St. Louis" | |
Loaded Pistols | 1948 | writer: "A Boy From Texas, A Girl From Tennessee" |
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