Stadlmayr first found the attention from the Salzburg courtroom in 1603 where he was a musician. By 1604 he previously acceded to the positioning of Vice-Kapellmeister and between 1607 and 1618 offered as the Kapellmeister for Archduke Maximilian II in Innsbruck. After Maximilian’s loss of life, Stadlmayr continued to be in Innsbruck and by 1624 became the Kapellmeister for Leopold V. Compositions by Stadlmayr included people, magnificats, psalms and several sacred vocal functions. He adopted the teachings from the Council of Trent, and appropriately, Stadlmayr’s music was mentioned because of its textual clearness through his try to make use of normal conversation patterns in his mainly syllabic writing. To provide added emphasis to search phrases Stadlmayr wouldn’t normally make use of melismatic strategies but would rating the music and the written text so the key phrases had been repeated frequently. His people and magnificats had been characteristically scored for just two or three choirs even though his early functions had been polyphonic the afterwards functions incorporated more single voices with extra instrumentation.