Though of Hungarian descent, Kusser was primarily active in Germany. He also worked well in Britain and Ireland. He was luckily enough to possess analyzed with Lully in Paris and by 1682 he was teaching the violinists in the Ansbach courtroom to try out in the French design. As opera Kapellmeister in the Brunswick-Wolfenbuttel courtroom (1690) he most likely travelled throughout Germany but remaining for Hamburg in 1694 after volatile disputes using the courtroom opera supervisor. Through his operatic association in Hamburg, Kusser founded a traveling opera organization eventuating in his getting the Oberkapellmeister in the Stuttgart courtroom. Again he remaining his placement over disputes (1704) and found its way to London (1705). A lot of the others of his profession was spemt in Dublin. He published for royal festivities utilizing French dance forms as versions for some of his music but Kusser excelled in dramatic arias. Nearly all his compositional result was specialized in opera but just two from the 24 he composed possess any extant items. “Erindo” and “Ariadne” can be found only through a couple of orchestral suites and two selections of arias respectively. Features of his making it through music demonstrates level of sensitivity, feeling, elegance and beauty, climactic charm, forceful harmonies and emotive vocal strains. In the set up of his arias, Kusser utilized the syllabic type a lot more than melismatic phrases (minimal) but he’d make use of the Italian de capo nuance. Using the interjection of instrumental passages in the torso of his arias Kusser betrayed his musical bias. His compositions didn’t stimulate the progression from the Hamburg opera, but, Kusser’s needs for exceptional shows and high criteria do chang the path from the opera.