Johann Georg Albrechtsberger

Albrechtsberger is a rare exemplory case of an immensely prolific composer and celebrated performer who all whose are an inspired instructor overshadowed his own music accomplishments. This is a period of changeover the Baroque design towards the Classical globe of Mozart, Haydn and Beethoven. Essentially, Albrechtsberger is normally even more esteemed for the criteria he established than for his huge (over 600 functions) oeuvre. Regarding to Haydn, Albrechtsberger was the very best composition instructor in Vienna; he was a pal of Mozart, and Beethoven examined with him from 1794 to 1795. From age seven, Albrechtsberger was a choirboy using the Augustinians in Klosterneuburg, where he examined organ and structure. In 1765, he resolved in Vienna and, after some content as organist, became Helper Kapellmeister at St. Stephen’s Cathedral in 1791, On Mozart’s suggestion he was produced kapellmeister in 1793. From 1772 onwards, Albrechtsberger constructed 284 church functions, 278 keyboard functions (mainly body organ) and over 240 for various other instrumental combos. The instrumental compositions, both sacred and secular, helped create a bridge between previously polyphonic and afterwards designs. The vocal functions, including oratorios, are created in original methods from Baroque cathedral sonatas. Albrechtsberger’s impact as a instructor extended to the fantastic Austrian composers of his period. His ideas had been provided in his well-known Treatise on Structure (1790), a obviously written and available work where he developed eighteenth-century theory. His preparations of the functions of many essential composers, from Palestrina to Mozart, hyperlink, as they say, the Renaissance with Classicism.