Johann Abraham Peter Schulz

Schulz studied with Kirnberger in Berlin accompanied by extensive moves mainly because an accompanist and instructor. He became the movie director from the French theatre in Berlin after coming back from his trek and assisting Kirnberger compose theoretical functions. After getting into disfavor in Berlin, 1787, Schulz visited Copenhagen where he became the guts of musical lifestyle. As courtroom Kapellmeister and movie director from the Royal Movie theater he could stage functions that reflected public complications contending with property reform; he was also instrumental in establishing a finance for the widows of music artists. The best contribution he designed to music was his lied. So that they can use every one of the leading poets in these configurations Schulz was quite effective, not only because he been successful but he been successful with such eloquence. His looks, talked about in his theoretical functions, were in a way that music and poetry ought to be one instead of divide with one creative moderate dominating the various other. Music should enhance and help bring out this content of the written text without forsaking the idiom. Schulz could make this happen with the easy, melodic lines he afforded to his lied. Schulz also constructed twelve operas, aswell as oratorios, cantatas and various other sacred works.