b. c.1900, prob. Houston, Tx, USA, d. c.1965, poss. California, USA. Energetic in Houston, Tx, from the first 30s, Pullum sang the blues in a higher and clear tone of voice that brought added structure to his materials. He appealed to modern blues audiences from the middle- to past due 30s and agreed upon to Victor Information, but unfortunately produced just a few recordings because of their Bluebird Information subsidiary. In 1934 he documented his very own ‘Dark Gal WHY IS Your Head SO DIFFICULT?’, a tune thus popular that he continued to record other variations from it, including ‘Dark Gal Zero. 3’ and ‘Dark Gal No. 4’. The tune was also documented around once by Leroy Carr among others, although Pullum’s edition was typically the most popular, so much in order that Jimmie Gordon documented the tune for discharge as by ‘Joe Bullum’. The tune was protected in old age by artists such as for example Lightnin’ Hopkins, Robert Shaw, Clifton Chenier, Mance Lipscomb and, specifically, Victoria Spivey who documented it more often than once. Spivey can be reported as proclaiming that Pullum had written the song in regards to a 10 years before he documented it even though 1934 recording includes contemporary sources, notably towards the reward marchers, which implies that either Spivey is at error or, much more likely, that just like he would modification the lyrics after 1934, Pullum experienced also transformed them to match that day. He also performed ‘Reward Blues’, indicating an ongoing desire for social and politics matters from the period. Among Pullum’s additional tunes are ‘Mississippi Overflow Blues’, ‘Joe Louis MAY BE THE Guy’, ‘Blues With Course’ and ‘Dixie My House’. On record, Pullum was frequently associated with pianists Robert Cooper or Andy Boy. The second option has been Pullum on, for instance, ‘Home Raid Blues’, ‘Yellowish Gal Blues’, ‘Snow Choose Mama’ and ‘As well Late Blues’. Within the 40s Pullum relocated to California where, in 1948, he documented for Swing Period Records, occasionally with accompaniment from pianist Lloyd Green. A number of the use Green continues to be released on compilations beneath the pianist’s name, Honky Tonk Teach (1983) and Chica Growth (1988). Shortly after his California periods, the last which is at 1951, Pullum sank to an even of obscurity also deeper than whatever had encircled his earlier lifestyle.