Joe Move did the near-impossible. He could play up-tempo variations of bop music such as for example “Cherokee” and “How Great the Moon” unaccompanied on your guitar. Unlike Stanley Jordan, Move used regular (but outstanding) technique, and his Virtuoso series on Pablo still noises remarkable decades afterwards. Joe Move had a fake begin in his profession. He performed in several swing rings (including Tony Pastor’s) before graduating from senior high school, and was with Charlie Barnet for a while in 1947. But after offering within the armed forces, Move became a medication addict, serving amount of time in jail and essentially throwing away ten years. He surfaced in 1962 with an archive cut at Synanon, produced a tiny stir along with his For Django established, recorded other albums for Pacific Jazz and Globe Pacific, and performed with Gerald Wilson, Les McCann, George Shearing, and Benny Goodman (1973). Nevertheless, in general Move maintained a minimal profile in LA until he was agreed upon by Norman Granz to his Pablo label. 1973’s Virtuoso produced him a superstar and he documented extremely prolifically for Pablo, unaccompanied, with little groupings, on duo albums with Ella Fitzgerald, with such experts as Count number Basie, Duke Ellington, Oscar Peterson, Milt Jackson, and Dizzy Gillespie. Move remained very energetic until his loss of life from cancer.