Given birth to in Cincinnati, Joe Jordan arrived up in St. Louis and received musical teaching in the Lincoln Institute in Jefferson Town. In 1900, youthful Jordan performed as fiddler and percussionist using the Taborian Music group of St. Louis. He also made an appearance with Tom Turpin, Sam Patterson, and Louis Chauvin inside a performing four piano take action. In 1902, he visited NY to collaborate with Ernest Hogan, known in display business because the “Unbleached American.” At the start from the 20th hundred years, the quickly developing U.S. entertainment market was mainly founded upon the exploitation of cultural stereotypes. Hogan’s big strike was known as “All Coons Appear Alike if you ask me,” as well as the stage display that he and Jordan prepared up was known as “Rufus Rastus.” Another exemplory case of the common racial thematic was “Dandy Coon,” developed by Chauvin and Patterson in 1903. Jordan stage handled and aimed the music because of this little bit of minstrelsy, which toured having a solid of 30 including a “gorgeous octoroon chorus.” Once the display disintegrated in Des Moines, Jordan designed for Chicago. He started performing in the Pekin, a previous gambling establishment/saloon at 27th and Declare that had been changed into a ale backyard by Robert T. Motts. Jordan commemorated this spot using the “Pekin Rag,” released in 1904. He briefly came back to St. Louis to be able to play the Faust Cafe in the 1904 World’s Good. Now called an professional at lickety-split orchestration on demand, Jordan came back to NY in 1905 to utilize Ernest Hogan and Wayne Reese Europe arranging and directing the Memphis College students, several 17 African-American women and men who were not really students. Nor had been they from Memphis. Their premiere appearance was at Proctor’s 23rd Road theater within the springtime of 1905. Wayne Weldon Johnson stated that “playing-singing-dancing orchestra” was “the very first modern jazz music group have you ever heard on a fresh York stage.” Instrumentally, the ensemble included saxophones, brass, banjos, guitars, mandolins, piano, and drums. Later on in 1905 they performed Paris, London, along with other main European towns. Jordan made up “Rise and Sparkle,” “Oh, Liza Woman,” “Goin’ to Leave,” and “Dixie Property” because of this group. He also arrived using the “J.J.J. Rag.” Back Chicago, Motts’ establishment was developing into an all-purpose entertainment middle, known locally because the Pekin Temple of Music. In 1906, Motts extended his procedure by erecting the Pekin Theater right on the surface of the existing “Temple.” Using the opening from the modified and enlarged Pekin (among America’s 1st African-American-owned theaters) on March 31, 1906, the Negro Area of South Part Chicago started to change itself right into a starting pad for the jazz explosion of 1915-1925. Jordan carried out the 16-piece home orchestra and offered as composer and musical movie director, all for any weekly income of $25.00. Raising his involvement using the picture in NY, Jordan wrote several tunes for Ada Overton Walker; 1st “Salome’s Dance” and in 1909, “That Teasin’ Rag,” the latter’s primary theme was swiped and utilized by the initial Dixieland Jazz Band on the 1917 saving, “THE INITIAL Dixieland One Stage.” When Jordan noticed the record, he submitted a lawsuit. All the platters had been recalled, as well as the labeling was transformed to add the term “presenting ‘That Teasin’ Rag’ by Joe Jordan.” Also in 1909, Jordan collaborated with Bob Cole and Rosamond Johnson on “Crimson Moon,” a Broadway operetta which broke Jim Crow convention insurance firms individuals of color perform severe romantic tunes, expressing realistic human being emotion. This is something apparently not really permitted, especially beyond NEW YORK. In 1910, Jordan published “Lovie Joe” for Fanny Brice. Barred like a dark man from getting into the theatre where Brice premiered the track, Jordan stood outdoors within the pavement and wept when he noticed the public challenging eight encores. Jordan visited Germany in 1911 with Ruler & Bailey’s Chocolates Drops. On his in the past, he performed his method through England. Getting in the Pekin once more he resumed his responsibilities there for approximately 3 years. His music dating out of this period consist of “Dat’s Ma Honey Sho’s Yo’ Blessed,” “Oh State Wouldn’t It Be considered a Wish,” and “Brother-In-Law Dan.” He do perfectly in Chicago’s market, and in 1917, the J. Jordan Building was erected on the part of 36th and Condition. In 1918-1919, he was helper director and economic consultant for Will Marion Cook’s NY Syncopated Orchestra. In 1928, Jordan executed a band comprised of Jabbo Smith, Garvin Bushell, Adam P. Johnson, and Thomas “Extra fat” Waller within the musical revue “Maintain Shufflin’.” Jordan’s touring music group was known as the Ten Sharps and Flats. He executed the Federal Theater Project’s Negro Device Orchestra in NY through the ’30s. In 1936, Jordan caused Adam P. Johnson, Porter Grainger, and Asadata Dafora offering music for the Federal Theatre Task creation of Shakespeare’s Macbeth staged by Orson Welles. In 1939, Jordan led a symphony orchestra augmented by way of a 350-tone of voice chorus at Carnegie Hall. He constructed music in cooperation with W.C. Handy, led armed forces rings during WWII, and resolved into many years of effective property in Tacoma, WA where he passed on on Sept 11, 1971.