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Joe Evans and Arthur McLain

‘The Two Poor Young boys’ had been black, and so are reported to attended from Fairmount, in east Tennessee, where whites outnumbered blacks by 12 to 1. This goes a way towards detailing the eclecticism of, as well as the huge white impact on, their music. Documented in 1927 and 1931, they performed blues, but this just constituted about 50 % of their released titles; in addition they recorded medicine present material, coon tracks, 20s pop, white fiddle parts such as for example ‘Sourwood Hill’ (used in mandolin and electric guitar), dark ballads such as for example ‘John Henry’, and a parody of Darby And Tarlton’s ‘Birmingham Prison’. Aswell as ranging broadly in designs, they featured an extraordinary variety of musical instruments: electric guitar, kazoo, piano, mandolin, and violin. It really is believed that although both males played acoustic guitar and kazoo, just Evans performed the other devices.

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