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Joe Chambers

Joe Chambers can be an versatile and tasteful professional of most post-bop idioms. Chambers drives an ensemble using a light hands; his time is great and his understand of dynamics outstanding. He’s not really a flashy drummer at all, but he’s a large collaborator who makes any band of which he’s a component as effective as it can perhaps be. Chambers proved helpful around Washington, D.C., in his past due teens. After shifting to NY in 1963, he used Eric Dolphy, Freddie Hubbard, Jimmy Giuffre, and Andrew Hill. Within the middle-’60s, Chambers used many of the even more progressively inclined music artists from the Blue Take note label, such as for example vibist Bobby Hutcherson and saxophonists Joe Henderson, Wayne Shorter, and Sam Streams. In 1970, Chambers became a member of Potential Roach’s percussion ensemble, M’Boom, as a genuine member. Through the ’70s, Chambers used a great number of of jazz’s most prominent elder statesmen, including Sonny Rollins, Tommy Flanagan, Charles Mingus, and Artwork Farmer. With Flanagan and bassist Reggie Workman, Chambers produced the Super Jazz Trio. In the past due ’70s, he co-led a music group with organist Larry Teen. Chambers documented with rings led by trumpeter Chet Baker and percussionist Ray Mantilla in the first ’80s. He also preserved his association with Roach in to the ’90s. Being a single artist, Chambers provides released a tidy amount of albums including Almoravid (1973) with trumpeter Woody Shaw, ” NEW WORLD ” (1976), NY Concerto (1981), Phantom of the town (1992), Mirrors (1998), and Urban Grooves (2002). You start with 2006’s Outlaw, Chambers released a reliable blast of albums for Savant Information with Horace to Potential (2010), Joe Chambers Shifting Images Orchestra (2012), and Scenery (2016), offering bassist Ira Coleman and pianist Rick Germanson.

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