Pianist Joe Bushkin lent his unmistakably light, spirited design to common swing-era schedules headlined by Bunny Berigan and Tommy Dorsey, later on getting into pop, cabaret, as well as Broadway. The kid of the cellist dad, he was created in NEW YORK on November 7, 1916 — although reputedly students of the fantastic Polish pianist Leopold Godowsky, he actually started his musical research at age ten with lessons from a neighbor who was simply, in turn, students of their landlord’s boy as well as the Godowsky pupil involved. The teenaged Bushkin also researched the trumpet after a bike accident wounded his hands and place his piano profession in danger, but he quickly retrieved and soon became a member of a jazz group shaped by classmates at DeWitt Clinton senior high school; his a friendly relationship with Benny Goodman’s sibling Irving gained him an invitation to complete for absent pianist Teddy Wilson on the 1931 Goodman program, and even though Wilson appeared just moments before documenting commenced, Bushkin however made invaluable connections that got him gigs with dance rings along the Eastern seaboard, producing his professional debut at New York’s famed Roseland Ballroom. He authorized on with Berigan at age 19, immediately after becoming a member of him and Artie Shaw using one of Billie Holiday’s first recording times, a program that yielded the landmark “Summertime” and “Billie’s Blues.” From 1936 to 1938, Bushkin also supported Eddie Condon, and was actually the last making it through person in the guitarist’s popular gang. After gracing cornetist Muggsy Spanier’s 1939 traditional “Relaxing in the Touro” along with his elegant, ethereal contact, Bushkin became a member of Dorsey’s orchestra, with whom he’d make more than 100 records, most of them offering bandmates Frank Sinatra and drummer Friend Affluent. He also had written the beautiful “Oh, Take a look at Me Right now,” which topped the Strike Parade in early 1941 coming to getting Sinatra’s 1st blockbuster. Bushkin remaining Dorsey in 1942, spending another four years playing trumpet in the U.S. Military Air Corps music group. Upon time for NY he caused composer David Rose, and in 1946 he changed Mel Powell in Goodman’s brand-new band. Creative distinctions with Goodman drove him from the lineup a couple of months afterwards, nevertheless, and in 1947 Bushkin agreed upon on with tenorist Bud Freeman for the tour of Brazil. Over time he made many connections in Broadway circles, and in 1949 he was employed to rating Garson Kanin’s The CORPORATE JUNGLE, eventually signing up for the ensemble full-time (playing a bandleader, a job he’d however to suppose in true to life). The next calendar year Bushkin also installed the to begin several expanded engagements on the midtown jazz membership the Embers, where he performed alongside Milt Hinton, Buck Clayton, and Jo Jones. In 1950 he documented his first single LP, the Atlantic launch I REALLY LIKE a Piano, and the entire year pursuing he reunited with Sinatra, leading the singer’s music group during a work at New York’s Paramount Theatre. In 1953 he journeyed to Britain on a well planned three-week holiday that rather lasted most of five weeks, time for the U.S. and then sign up for Louis Armstrong & His All-Stars, with whom he also documented. With “Midnight Rhapsody,” the name track from his 1955 single LP, Bushkin obtained a minor strike — over time he authored a small number of original songs, like the novelties “There’ll Be considered a Hot Amount of time in the city of Berlin” and “Ain’t Been the Same Because the Beatles,” but would stay far better referred to as a performer than like a composer. His rings had been a staple from the Manhattan nightclub circuit through the entire ’50s and ’60s, and he became something of the socialite, ultimately amassing enough cash to enter semi-retirement. Bushkin and his family members relocated to London in 1969, and upon coming back stateside 2 yrs afterwards resolved in Santa Barbara; in 1975, Bing Crosby lured him back again out on the street, and he offered as the highlighted soloist for the renowned crooner’s last world tour, some schedules that culminated within a later 1976 operate on Broadway. Bushkin spent his last decades choosing and selecting his gigs with the most care, heading NY piano pubs including Michael’s Pub, the St. Regis, as well as the Carlyle; he also have scored and performed in the revue Swinging on the Superstar, and mentored a fresh era of jazz music artists including cornetist Warren Vaché, Jr. He passed away of pneumonia on November 3, 2004, simply four days timid of his 88th birthday.