A sweet house Alabama fellow, this trombonist was among the next era of professional American jazz music artists and in addition straddled the worlds of blues and R&B, poking the very long slip of his trombone into any combo that was fortunate to have him. His credits are extended following his college student days beneath the assistance of Fess Whatley. Basic blues vocalist Bessie Smith got him on the highway from 1924 through 1926 as an associate of her support group, initially the Fred Longshaw Orchestra and the Expenses Woods Orchestra. Another yr, he jumped for an clothing called Frank Number & the Fuzzy Wuzzies, probably one of the most obscure name in the set of the groupings he performed for. He resolved in NY in the ’30s and fastened a grasp on that city’s fast-moving and faster-growing jazz picture, dealing with Ellsworth Reynold’s Bostonians, Teddy Hill, the music group of traditional jazz drummer Kaiser Marshall, Charlie Johnson, Edgar Hayes, as well as the Vernon Andrade Orchestra. Positions with larger jazz names had been his in the ’40s: he caused saxophonist and composer Benny Carter from 1940-1941 and contemporary trumpet maestro Dizzy Gillespie, while at exactly the same time collaborating on old varieties of jazz. It had been his possibility to finally use Jelly Move Morton, with whom he also gigged and documented in that 10 years, and Kansas Town jazz pioneer Jay McShann. He also caused Lucky Millinder for 3 years from 1942. Blues shouter Wynonie Harris was also a regular employer, and even though this was not necessarily a gig that supplied a trombonist with a whole lot of single space, Britton turns up on the half-dozen of Harris’ raunchy R&B information, not forgetting compact disc container established reissues. He also has in an identical vein on recordings by Sister Rosetta Tharpe. Britton also performed and documented with the fantastic jazz pianist Earl Hines. The trombonist dabbled into orchestra agreements and his function in this field is normally spotlighted over the record Breaks, Blues and Boogies by fellow bone-man Vic Dickenson. Britton retired from full-time professional playing in the ’50s, but gigged on / off in to the ’60s, including a normal stint within a music group led by saxophonist Wesley Fagan.