Joaquín Turina

When he was a little boy, among Joaquín Turina’s beloved toys was a little accordion, and music was often his beloved subject at college. He researched piano and theory in his hometown of Seville and produced his debut there being a pianist at age group 14. His achievement led him to Madrid, where he attempted to obtain his opera La sulamita (c. 1900) and his zarzuela Fea y con gracia (1904) performed. The second option was staged to no great achievement, but Turina demonstrated his music to numerous prominent music artists and struck up a companionship with Manuel de Falla. After learning piano in the Madrid Conservatory with José Tragó, Turina visited Paris, where he caused Vincent d’Indy in the Schola Cantorum from 1905 to 1914. He also required some piano lessons with Moritz Moszkowski. During his years in Paris he was motivated by the fantastic French composers of this period — Claude Debussy, Maurice Ravel, Paul Dukas, and his instructor d’Indy — and published a few functions in the French design of your day. Following the premiere of his Piano Quintet, Op. 1 in 1907, Turina visited a café with Isaac Albéniz and de Falla. They confident Turina to create in a far more consciously Spanish design. As Turina place it, “[w]e had been three Spaniards collected together for the reason that part of Paris and it had been our responsibility to battle bravely for the nationwide music of our nation.” One of is own first really Spanish functions was La procesión del Rocío, created in France in 1912 and premiered from the Madrid Symphony the next year. This family portrait of the religious event helped set up Turina’s status, and by enough time he came back to Spain with Falla in 1914, he had been named a respected Spanish composer. Turina got a post as choirmaster on the Teatro Genuine, a posture he held before theater shut in 1925. He stayed very energetic in Spain’s musical lifestyle, offering as pianist from the Quinteto de Madrid, performing opera and orchestral shows, and composing musical criticism for Un Debate and various other magazines. He also constructed works just like the two books of Mujeres Españolas for piano (1917, 1932), some portraits of Spanish females, and La oración del torero (The Bullfighter’s Prayer, 1925). In 1920 he had written two of his most well-known parts, the Danzas Fantásticas for orchestra or piano, as well as the Sinfonía Sevillana, which earned first prize within a competition to get a musical picture of lifestyle in Seville. In 1930 he was appointed teacher of composition on the Madrid Conservatory. He and his family members suffered a degree of persecution with the Republicans through the Spanish Civil Battle, but Turina could continue with his musical actions both after and during the battle. He founded the overall Music Commission from the Ministry of Education, which he offered as commissioner in 1941. He joined up with the Spanish Academy of Arts, was honored the Grand Combination of Alfonso X the Smart, and passed away in early 1949 after an extended struggle with cancers.