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Joane Hétu

Saxophonist, vocalist, improviser, composer, and record label supervisor Joane Hétu rates among the pillars from the Montreal avant-garde music picture revolving round the collective Ambiances Magnétiques. A little but very persistent woman, she produced a profession for herself getting started of nowhere at age group 19, to become effective businesswoman and a vocalist with an extremely distinctive style. She’s documented many albums using the groupings Wondeur Brass, Justine, Les Poules, Castor et Compagnie with her hubby Jean Derome, and single. A Montrealer blessed and elevated, Hétu considered music in 1977 when she began to find out the alto saxophone by herself, without notions of music theory. 2 yrs afterwards, she briefly fell deeply in love with pianist Pierre St-Jak, who presented her for an eccentric couple of artists linked with the Pouet Pouet Music group and L’Enfant Fort (which, years afterwards, would evolve in to the Fanfare Pourpour). These experimentalists verified her musical eyesight. With keyboardist Diane Labrosse and drummer Danielle P. Roger, she produced the feminist avant-rock group Wondeur Brass, learning the fundamentals of music during rehearsals. In 1985, the three associates were asked to become listed on the collective Ambiances Magnétiques, lately set up by Robert M. Lepage, René Lussier, André Duchesne, and Jean Derome (the last mentioned would become her lifestyle and main musical partner). Wondeur Brass released two critically acclaimed albums in the middle-’80s, Ravir and Simoneda, Reine des Esclaves. Hétu, Labrosse, and Roger performed in two very similar tasks, Les Poules and Justine, and toured THE UNITED STATES and European countries. In 1991, at the same time when the volunteer framework from the collective was learning to be a burden over the shoulder blades of its associates, Hétu made DAME (Distribution Ambiances Magnétiques Etcetera), an archive label/distribution electric outlet with desire to to regroup regional independent avant-garde brands under one roofing. Her commitment to the business convinced federal government and provincial government authorities to start out subsidizing avant-garde music a bit more as well as the Ambiances Magnétiques catalog begun to develop steadily. On the other hand, she produced her very own group, Castor et Compagnie, in 1992, that she composed a repertoire of twisted erotic music and performed with lots of the various other AM people’ tasks. In the past due ’90s, her impetus shifted from avant-gardist songwriting to improvised music with Nous Perçons les Oreilles (with Derome) and her single recording Seule dans les Chants. The stunning Musique d’Hiver showcased her skills like a composer.

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