Provocative bassist and composer Charles Mingus may have subtitled one of is own pieces “If Charlie Parker Was a Gunslinger, There Will be a GOOD DEAL of Deceased Copycats,” however in reality the innovative Parker was too occupied destroying himself to look for players such as for example Jimmy Ford. The Texan alto and tenor saxophonist was totally amazing when it found reeling off variants on the founded Parker phraseology. Although Ford’s profession certainly had even more ups, downs, and downright spaces with regards to distributing the “Parrot term,” he was correct up there with Phil Woods, Sonny Stitt, and Davey Schildkraut. The second option participant, incidentally, was somebody Mingus himself was struggling to tell aside from Parker within a Down Defeat blindfold check. Ford began learning the alto saxophone in his hometown of Houston but was blowing tenor in his initial essential bebop engagement, a stint using the wonderful pianist and composer Tadd Dameron in 1948. A couple of years later among the better recorded documentation of the saxophonist was made when trumpeter Crimson Rodney, a protégé from Parker’s afterwards groups, convened a little group for monitors originally released as Prestige and Illusion 78s. Upon this session aswell as you led by baritone saxophonist Gerry Mulligan, listeners may also ideally appreciate Ford’s vocal initiatives. This voice as well as the audio of his horn had been then silenced for approximately a half of a decade, as though this Ford have been parked within a garage area somewhere without license plates, included in a tarp. His innovative engine turned once again in 1957. Ford resulted in in the reed portion of trumpeter Maynard Ferguson’s extended combo, extended in sound aswell as size and eventually an excellent chance of the saxophonist to reestablish his popularity. He remained with Ferguson through 1960 and it is featured on many swinging Roulette edges from that period. Ford — defined by critic Leonard Feather as “erratic but possibly outstanding” — ultimately came back to Houston, where he continued to be a creative drive and a well known instructor. In 1994, the same calendar year as his loss of life, Ford was highlighted in an excellent concert with trumpeter Clark Terry in Houston.