Explained by bandleader — or rather co-bandleader — Mel Lewis as “brilliant” in 1982, trumpeter Jim Powell shouldn’t be puzzled with closely called jazzmen like the Jimmy Powell who rode the Count number Basie bus. Excluding bizarre variations such as for example “Jimbo” or “Jamie,” the trumpeter continues to be described under every feasible variation of the name, although frequently as Jim Powell. Discographer Tom Lord developed a complete of almost two dozen documenting classes for trumpeter Jim Powell between 1977 as well as the middle-’90s. Also in Lord’s dominion of documented jazz artists certainly are a Wayne Powell on both flügelhorn and trumpet, striking only double between 1990 and 1996. After that there’s Jimmy Powell, whom Lord credits for an individual 1987 session, once again on both trumpet and flügelhorn. Each is the same man, a trumpeter who influenced the earlier mentioned compliment from Lewis when he arrived to the Thad Jones/Mel Lewis Orchestra as an alternative for the powerful Tom Harrell. In interviews, Lewis further explained Powell to be in the design of Harrell; a very important factor both of these trumpeters do have as a common factor is a history in Woody Herman’s big rings going back towards the ’70s, accumulating chops for the fascinating encounters to can be found in the ’80s. Further troubling similarities could possibly be gleaned fromLord’s multiple report on trumpeters under Powell’s name, if it’s indeed possible to become disturbed by anything in only discography — Harrell, in the end, has experienced schizophrenia. The time of Powell’s profession most likely to get involved suffering, nevertheless, could have been his stint with notoriously challenging drummer Buddy Affluent.