Jim Pietkivitch

Within the ’90s, instrumentalist Jim Pietkivitch acquired a little following in the brand new age market place — as well as the producer/composer accomplished that by giving albums which are fairly unpredictable. Some modern artists make a spot to be as predictable and formulaic as you possibly can; their main aim would be to help listeners unwind and unwind giving them a relaxing ambience, plus they want to make certain that listeners understand exactly what to anticipate from one minute to another. But Pietkivitch, for everyone his peacefulness and tranquillity, shows a willingness to try various things on different music. Pietkivitch certainly appreciates different varieties of music — he doesn’t run into as somebody who listens to modern solely — and he’s more likely to incorporate components of Western european classical music about a minute and jazz another (as well as perhaps globe music from then on). Pietkivitch in addition has been inspired by progressive rock and roll, especially Tangerine Wish and Green Floyd; other performers who’ve affected his function (either straight or indirectly) range between Steve Roach to George Winston to Jonn Serrie (never to end up being baffled with New York-based jazz pianist/keyboardist John Serry). Pietkivitch began monitoring music within the ’70s, when he was a pre-adolescent. After getting started in the oboe at age 11, Pietkivitch used the acoustic piano in 1978 and drums in 1980. Being a high-school pupil, he played in a variety of progressive rock and roll and jazz rings — and something of individuals he examined with was jazz drummer Joe Pulice. But ultimately, Pietkivitch made modern his primary concentrate and learned all about the uses and likelihood of digital synthesizers. He found that encoding synthesizers could enable him to operate independently like a one-man music group; however, Pietkivitch never quit acoustic instruments completely, and his albums — although greatly digital — also have discovered him playing traditional cultural instruments which are generally connected with globe music (such as for example Local American drums, the African djembe, and Tibetan bells). Pietkivitch’s documenting career started in 1994, when he documented and released his debut recording, Twilight Dreams. Initially, Twilight Dreams experienced limited distribution, but that transformed when the impartial Ivory Moon label re-released the recording in 1995. It had been in 1997 that Pietkivitch began his personal label, Electrofine Music, which released his second recording, Spiral Journey, the next 12 months. In 2004, Pietkivitch released his third recording, Internal Worlds, on Electrofine; the recording, which he created, features visitor Melanie Lunsford on flute and vocals.