Jim Glaser has spent a lot of his professional profession working inside the framework of his family’s group, Tompall & the Glaser Brothers. As an associate of this trio, that was celebrated because of its performing, he also caused Marty Robbins on a number of important projects like a program musician, playing acoustic guitar and mouth area harp and performing backup on tunes (especially “Un Paso” from your classes that yielded the 1st two Gunfighter Ballads albums), and toured aswell as recorded for a long time with Robbins and Johnny Money; and he offers written strikes for performers mainly because diverse mainly because Warner Mack and Gary Puckett & the Union Space. Jim and his brothers Tompall and Chuck had been given birth to in Nebraska, the sons of guitarist Louis, who trained his kids music throughout raising them on the ranch. They previous Tompall & the Glaser Brothers in the mid-’50s and managed to get onto radio in Nebraska while playing dances and additional local occasions. They fulfilled Robbins at one of is own concerts, and impressed using their tranquility performing, he authorized these to his personal label, producing their debut having a Chuck track, “Five Cent Nickel.” An appearance on Arthur Godfrey’s Talent Scouts helped break them nationally, plus they agreed upon with Decca Information in 1959, after shifting to Nashville. They never really had popular for Decca, but their program work produced their performing and playing extremely visible — it had been Jim, along with guitarist-singer Bobby Sykes (an associate of Robbins’ music group), that recommended Marty record a whole album of traditional western songs, which led to Gunfighter Ballads and Path Songs, an recording that was an enormous hit at that time and still offers well several years later on, and which helped take up a entire revival appealing in cowboy tunes. The Glasers also performed and sang on Claude King’s The Comancheros, toured with Robbins, and ascended to the best venue ever attained by nation music if they made an appearance with Johnny Money at his Carnegie Hall overall performance. Tompall & the Glaser Brothers loved strikes on MGM Information with “Gone, alternatively” and “Through the Eye of Like” in 1966 and 1967, and adopted those up another yr with “The Moods of Mary” and “Among NOWADAYS” before they finally soared in to the top reaches from the graphs with “California Woman (And Tennessee Square)” in 1969. During this time period, Jim remained energetic like a songwriter, taking pleasure in a high Five strike for his “Sittin’ within an All Nite Cafe” thanks to Warner Mack; an enormous pop hit, thanks to Gary Puckett & the Union Difference, with “Girl Girl,” which he’d co-authored with Jimmy Payne; and graph actions from Liz Anderson’s saving of “Thanks a lot a whole lot for Attempting.” The Glaser brothers opened up their very own studio room in Nashville, which became a locus for the “outlaw” motion in nation music, a preferred hangout for Waylon Jennings, Bobby Bare, and Billy Joe Shaver. They positioned a melody in to the underrated topical ointment dramatic film Tick, Tick, Tick, starring Jim Dark brown and George Kennedy, and have scored a big strike in 1971 with “Eliminated Female.” They gained the Vocal Band of the entire year Award from the united states Music Association in 1970 and appreciated their first TOP single, “Bands,” in 1971. The group just appreciated two even more years jointly, scoring two even more hits, one of these — “Ain’t EVERYTHING Well worth Living For” — supported from the London Symphony Orchestra. Following the brothers split to focus on their personal projects, Jim surfaced like a single designer at MGM, charting small strikes with “Forgettin’ ‘Bout You” and “Female Female” in 1974 and 1975. Regrettably, MGM Records experienced entered an interval of steep decrease from which it could by no means recover, and he previously to hold back until 1982, after putting your signature on with Noble Eyesight, to capture momentum to his documenting profession. Through the interim period, he was reunited along with his brothers in Nebraska — Chuck, who experienced suffered a heart stroke and temporarily dropped his voice, experienced become a skill manager, handling vocalist/songwriter (and sometime novelist) Kinky Friedman, and Tompall handled the studio room he’d founded. These were initially cut back jointly by the condition of their dad, and they afterwards acquired a musical reunion, which yielded lots three hit using their edition of Kris Kristofferson’s “Lovin’ Her Was Easier (Than Anything I’ll Ever Perform Once again)” and a high 20 one with “JUST ONE SINGLE Period.” The brothers split again appropriately in 1982. That yr Jim hit the very best 20 nation entries with “IF YOU ARE Not a Woman” for Noble Eyesight, and he previously similar achievement a calendar year afterwards with “THE PERSON in the Reflection,” which became the name tabs on his first recording for the label. “EASILY Could Just Dance With You” also produced the very best Ten, and Glaser got his first number 1 strike in 1984 with “You’re Gettin’ if you ask me Once again,” which rode the graphs for half of a calendar year. Everything looked appealing for Glaser’s upcoming, however the merger of Commendable Eyesight with MCA in 1984 appeared a harbinger of poor times forward. Glaser continued using the label, but appreciated relatively little achievement from 1984 onward, and he was fell by the business in 1985, despite his previous success. Recently, Glaser has continuing performing his very own songs and in addition carries a “Tribute to Marty Robbins” (who offered in 1982) in his concert established, a recognition from the years that he and his brothers devote working with the united states music legend.