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Jim and Bob

This group was a significant influence on generations of guitarists, especially those that play almost any slide guitar. Jim & Bob, better referred to as the Genial Hawaiians, documented some edges in the ’20s and ’30s that have a tendency to end up being standout quantities on several compilations of Hawaiian electric guitar or slide electric guitar. This was a method of music that came into being indirectly following the invention from the dobro, originally a metal-bodied electric guitar with from someone to three cone resonators inside. It had been originally made to end up being loud more than enough to cut through a huge band, but usage of the banjo and moreover the guitar made it outdated in that respect. The instrument acquired no issue carving out its niche in a number of different varieties of music, and is a continuous existence in American musical designs since. In the 1920s and ’30s, the Hawaiian guitarists Sol Hoopii and Bob Kaii — that is the Bob from Jim & Bob — documented tracks which were regarded masterpieces in the Country wide tricone, a steel electric guitar whose three interlinked resonators provided it a particularly attractive audio. Of both players, Hoopii acquired the greater prominent profession, pioneering lots of the first tuning variants and playing on a number of different varieties of lap steels, a solid-body electrical instrument that appears a little like a small gravestone for guitars. Regardless of the great recordings of Jim & Bob, like the miraculous “Chimes,” a good “St. Louis Blues,” and one of the biggest variations of “House on the number” ever documented, the non-public histories from the duo stay strange. Kaii is known as therefore obscure that Hawaiian music scholars are evidently just speculating at his last name, while no such work was even designed for his partner, who continues to be known just as Jim. Many players experience the duo’s technique was by no means topped. Leon McAuliffe, the fantastic slip guitarist who used the pre-World Battle II Bob Wills Traditional western swing band, offers mentioned frequently in interviews that Jim & Bob had been two of biggest inspirations, which is doubtful that he’s discussing the “Jim-Bob” that went the service train station outside from him in Amarillo. Dobro kingpin Stacy Phillips experienced this to state about his preferred pickers, an average reflection upon this duo’s strange identities: “The best resonator players are Bob Dunn, Buck Graves, as well as the man Bob from Jim & Bob, the Genial Hawaiians.”

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