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Jerry Jerome

After decades in obscurity, Jerry Jerome (in his mid-eighties) began to appear on produces from the Arbors label within the 1990s. An excellent golf swing tenor, Jerome was usually a sidemen and was by no means a large name, although additional musicians acknowledged his skills. He spent a period studying medication but knew in early stages that he wished to be considered a musician and he performed in dance rings (especially with Harry Reser in 1935) during university vacations before giving up school completely. Jerome produced his saving debut with Reser in 1936, was with Glenn Miller’s early unsuccessful music group (1936-1937), gigged with Crimson Norvo for a brief period in 1938, and worked like a studio room participant. Jerome spent a while with Artie Shaw in 1938, and obtained a little bit of popularity using Benny Goodman during November 1938 to July 1940, including showing up on a lot of Goodman’s sextet periods with Charlie Christian; he also documented with Lionel Hampton. Jerome following came back to Artie Shaw until March 1941. After that he became a full-time studio room musician, functioning as musical movie director at NBC during 1942-1946, spending a few years because the mind of A&R just work at the Apollo and Keystone brands, and proved helpful as musical movie director for WPIX-TV in NY. Starting within the middle-’50s, Jerome got a very effective career being a writer of marketing jingles. When he retired from that work, he shifted to Florida within the ’80s and came back to playing jazz. Gladly Jerome’s improvising skills and style had been unchanged and also into his eighties, he was quite definitely in his musical excellent. He continued to try out until his loss of life on November 17, 2001, with schedules booked near his Sarasota house into December. Furthermore to his sideman performances, Jerome recorded being a leader in a number of configurations including a jam program with Charlie Christian in 1939, a thorough middle-’40s trio established with Teddy Wilson, a Dixieland time in 1944 for Stinson, many amounts for Apollo in 1947, a past due-’50s record for ABC-Paramount, and a complete Compact disc for Arbors in 1996 that was coupled with features of his previously career.

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