Jeremy Steig

Among the earliest and finest jazz-rock flutists, Jeremy Steig was a superb soloist. He learned the complete flute family members, including bass, and in addition performed piccolo well. He previously a similarly wealthy, classically pure build and timbre as Adam Newton or Hubert Laws and regulations, and used nearly as many gadgets, such as for example tongue fluttering, humming, and swirling lines. But he wasn’t as blues- or swing-oriented, and his organizations included employed in the first ’60s with Richie Havens and proceeding Jeremy & the Satyrs in 1967. Steig’s dad is the well-known musician William Steig; he started playing recorder at six and had taken flute lessons at 11. Steig went to the SENIOR HIGH SCHOOL of Music and Artwork. He used Gary Peacock and Paul Bley in the first ’60s, after that led a jazz-rock combo in 1967 support Tim Hardin before proceeding his own groupings. Steig used Mike Manieri and Eddie Gomez within the ’60s, and Jan Hammer in 1970. He started using consumer electronics and synthesizers within the ’70s, and toured European countries both being a soloist and proceeding quartets and quintets. He documented with Gomez and Joe Chambers in the past due ’70s, and eventually did periods with famous brands Mike Nock, Karl Ratzer, Nana Vasconcelos, Ray Barretto, Steve Gadd, and Jack port DeJohnette. Steig passed away in Yokohama, Japan in Apr 2016 at age 73.