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Jenö Jandó

If the artistic identities of some performers are destined up with the documenting companies that maintained their music-making — Artur Rubinstein with RCA Red Seal, for instance, or Yo-Yo Ma using the crossover-friendly incarnation of Sony/CBS — then your face from the Naxos label and its own repertory-based, high-volume, low-budget ways may be pianist Jenö Jandó. Jandó was created in the southern Hungarian town of Pécs on Feb 1, 1952. His mom taught him to try out the piano, and he continued to study in the Liszt Academy in Budapest. When he was 18 he required third put in place the exclusive Beethoven Piano Competition in Vienna, getting his name before viewers beyond Hungary. He received the Sydney (Australia) International Piano Competition in 1987, but he didn’t turn into a familiar physique to U.S. recording buyers until following the founding of Naxos from the German-born, Hong Kong-based business owner Klaus Heymann in the past due 1980s. Jandó was among the 1st performers to emerge from Naxos’ attempts to record Eastern Western artists on a more substantial level than any business outside the previous East bloc experienced previously carried out. A Hungarian get in touch with delivered a tape of Jandó’s playing to the business, and he was selected for just one of the brand new company’s display products: an entire documenting of Beethoven’s 32 piano sonatas. Jandó adopted those up with total trips through Mozart’s piano sonatas and concertos, Bach’s whole Well-Tempered Clavier, Bartók’s piano concertos, as well as the relatively rarer Haydn key pad sonatas. Jandó continuing to explore the center of the original repertory, delving into Schubert’s sonatas and starting a mammoth study of Bartók’s total piano music. He in addition has performed chamber music, inclining toward Hungarian compositions, and he also acts as accompanist to his wife, mezzo soprano Tamara Takács. What appropriate Jandó therefore well towards the Naxos procedure? He is a perfect jack-of-all-classical-trades. His knowledge of the piano books is usually wide, and his musical memory space is famous: though he usually brings ratings of the functions he is to try out with him to a documenting session, he just lays them to 1 part and performs from memory space. Like Glenn Gould, Jandó is usually directed at humming together with his personal playing — a inclination his suppliers forestall by putting an unlit cigarette in his mouth area. Jandó has indicated the amibition to cover off his profession by recording another total Beethoven sonata arranged — something previously carried out only with a select band of the keyboard top notch.

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