Saxophonist/maker/composer Jeff Chan offers played a prominent part in what continues to be referred to as the Asian-American Creative Music Motion or Asian-American Creative Music Network within the ’90s and 2000s; essentially, it really is a coalition of Asian-American music artists who play jazz, the majority of it avant-garde jazz that is influenced from the Chicago-based Association for Advancement of Innovative Musicians (AACM). Actually, the movement offers often been set alongside the AACM and it has ties compared to that business. Some participants within the Asian-American Innovative Music Movement are of Japanese descent (including acoustic bassist Tatsu Aoki and alto/soprano saxophonist Doug Yokoyama), while some have had Chinese language history, including tenor saxophonist Francis Wong (co-founder of Asian Improv Information, a small impartial label with offices in SAN FRANCISCO BAY AREA and Chicago) and Chan. Located in SAN FRANCISCO BAY AREA (with solid ties towards the Windy Town), Chan brings a number of avant-garde affects to the desk. The probing improviser, who’s mainly a tenor and soprano saxophonist but offers performed the flute and bass clarinet as supplementary instruments, continues to be greatly influenced from the artists from the AACM (like the Artwork Outfit of Chicago and fellow saxophonists Roscoe Mitchell, Joseph Jarman, and Anthony Braxton), but his abstract, cerebral, left-of-center function in addition has been affected (either straight or indirectly) by explorers who range between John Coltrane to the brand new alto saxophonist Ornette Coleman. Chan was created in Concord, CA, on November 23, 1970, and was raised within the SAN FRANCISCO BAY AREA Bay Region. The past due ’90s and early 2000s discovered him getting involved in a number of activities, among which was the best Fun Philharmonic (a big ensemble). The Western Coast reedman in addition has been an associate of bassist/cellist Adam Lane’s risk-taking Total Throttle Orchestra (which really is a sextet or septet, no actual orchestra) as well as the Asian Improv Saxophone Summit (which also contains saxophonists Wong and Hafez Modirzadeh). Chan started recording being a head in 1997, when he created his debut record, Winds Moving, for Asian Improv. In 2002, Chan documented his second Asian Improv discharge, In Chicago, which highlighted the past due trumpeter Ameen Muhammad and didn’t turn out until after Muhammad’s loss of life.