Most widely known for his decade-long tenure fronting the influential People from france rock band Phone, Jean-Louis Aubert subsequently forged an effective solo profession that tackled more personal styles and more technical musical concepts than his previous attempts foreshadowed. Born Apr 12, 1955, in Nantua, Aubert was the boy of the sub-prefect, and elevated mainly by his parents’ servants. A hard and rebellious teenage period adopted, with 16 he hitchhiked over the U.S., busking on town streets and performing Rolling Stones addresses to survive. Upon time for Paris, Aubert befriended bassist Daniel Roux and drummer Richard Kolinka, with whom he co-founded the music group Sémolina — their lone WEA solitary, “Et J’y Vais Déj? ,” vanished upon launch, however, as well as the trio quickly break up. Aubert following moved into the musicology plan at Paris College or university, but remained focused on a performing profession, frequently jamming with Kolinka in the cellar of their house. In late fall of 1976, Kolinka guaranteed a gig at Paris’ American Center, however when his regular band was struggling to invest in the time, he and Aubert recruited guitarist Louis Bertignac and bassist Corine Marienneau to put together a established list made up of traditional rock strikes and Aubert’s initial first compositions. On November 12, Phone produced their debut efficiency, playing a generally improvised set to some hundred customers. Loud, snotty, and defiantly primitive, the music group successfully reinvigorated French rock and roll in one dropped swoop. Though in no way the traditional frontman, Aubert even so transcended his limitations being a vocalist and guitarist with pure aggressive energy, getting the poster youngster for a fresh era of French rock and roll symbols. After a famously raucous March 1977 appearance on the Paris Metro, Phone toured to get British work Eddie & the Popular Rods, accompanied by a time starting for the seminal American music group Tv. A June 8th efficiency at Paris’ Bus Palladium yielded Telephone’s debut solitary, “Hygiaphone.” Six weeks later on, the quartet authorized to Routeé-Marconi, teaming with maker Mike Thorne because of its self-titled debut LP, released in November. Using the 1979 follow-up, Crache Lot Venin, Phone rocketed to superstardom — the solitary “La Bombe Humaine” surfaced like a generational anthem, as well as the recording sold more than 600,000 copies, capped off with a performance in the annual Fête de l’Humanité before an audience greater than 100,000 people. Trips of Italy, Spain, and THE UNITED STATES followed, even though in NY, Phone began focus on their third recording, 1981’s Au Coeur de la Nuit. After putting your signature on to Virgin, the group released Dure Limite together with their June 14, 1982, Paris concert to get the Rolling Rocks. Another American tour adopted, but innovative dissension started to develop, and breakup gossips reached a fever pitch in the wake of 1984’s El Autre Monde, as all members of Phone began to go after solo tasks; Aubert contributed for an Ethiopian advantage LP recorded from the all-star Chanteurs sans Frontiéres. Finally, in Apr 1986 he announced the band’s demise — a following live LP demonstrated a bestseller around once Aubert and Kolinka reunited with Sémolina bassist Daniel Roux beneath the name Aubert ‘n’ Ko, liberating the funk-inspired record Platre et Ciment in 1987. Aubert released his solo profession completely with 1989’s self-produced Bleu Blanc Vert, a romantic and frequently pastoral record in sharp comparison with his function in Phone. Its 1992 follow-up, H, demonstrated a lot more idiosyncratic, while a following tour with Kolinka was noted via the live work Une Web page de Tournée. After guesting on the program headlined by chanson tale Barbara, Aubert came back to focus on his following task, 1997’s Stockholm, which highlighted cameos by performers as far-ranging as Nigerian percussion tale Tony Allen and Swedish pop manufacturer Gordon Cyrus. As the thematic and stylistic adjustments of every successive single record gradually reduced Aubert’s group of fans, he nevertheless continuing to test out sounds and employees, and with 2001’s Comme el Accord, he produced the initial record of his profession without efforts from Richard Kolinka. After some self-produced initiatives, Aubert handed the reins to Renaud Letang, previously known for helming classes by Manu Chao and Alain Souchon. Upon topping the French graphs in 2003 with “Sur la Path,” a duet with vocalist Raphael, Aubert resumed focus on his following solo launch, 2005’s Ideal Regular, recorded partly with Canadian electroclash maker Gonzales. Premières Prises adopted in ’09 2009, while in 2012 Aubert released studio room recording Roc-éclair and live recording Live Vivant.