Québécois rock and roll provocateur Jean Leclerc was the leading exponent from the Francophone pop renaissance from the 1990s. Frequently in comparison to Lou Reed for his seedy imagery and enigmatic vocals, he liked his greatest industrial achievement as Jean Leloup, an alias he finally retired nearly a quarter hundred years into his profession. Created in Sainte-Foy, Quebec, on, may 14, 1961, Leclerc spent the better a part of his kid in Togo, and its own indigenous African rhythms would show a seminal impact on his later on musical attempts. After a short go back to Quebec, his family members resolved in Algeria in 1969, where he later on formed his 1st music group, the Blue Encounters. Leclerc came back to Quebec once and for all in 1975, and after stopping school he lower his first demonstration program, christening himself Jean Leloup (i.e., “John the Wolf”). He fascinated marginal interest from record professionals until 1983, when he shipped a breakthrough efficiency on the annual Celebration de la Chanson Francophone. 2 yrs afterwards Leloup was tapped to superstar as Ziggy in the David Bowie-inspired rock and roll opera Starmania. Brands still got no idea what things to label of him, nevertheless, and his acclaimed debut LP, Menteur, didn’t strike retail until 1989, producing the smash “Printemps-Eté.” Around once Leloup implemented an ex-girlfriend to European countries, where he remained long enough to put together a music group, La Sale Affaire. Its people came back with him to Quebec to lower his sophomore record, L’Amour Est Sans Pitié, a star-making switch highlighted with the questionable “1990,” which likened his intimate prowess towards the U.S. battle with Iraq. The one was popular both in the home and in France, and he spent a lot of 1992 touring traditional western Europe, accompanied by a trek through Quebec within the Rock and roll le Lait bundle tour. Leloup didn’t resurface with a fresh LP until past due 1996. Le Dôme even so demonstrated his most effective effort to time, getting him the annual Félix prize for Greatest Songwriter/Composer. He backed the record via the stage display “Jean Leloup et les Naufragés du Titanic,” with recordings through the tour later composed of a part of 1998’s cross live/studio launch Les Fourmis. Leloup also extended into fiction, composing some short tales he later documented for broadcast on Radio Canada. He didn’t go back to touring before springtime of 1999, but continued to be on the highway for over a 12 months. In the wake of 2002’s La Vallée des Reputations he announced programs to retire the Jean Leloup name, implementing the alias Massoud Al-Rachid to create the 2005 book Noir Destin Que le Mien. A 12 months later, he released the return LP Mexico under his provided name, Jean Leclerc.